A Quote by Lorenzen Wright

I can play four, and I can play five. — © Lorenzen Wright
I can play four, and I can play five.

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I can play at four or I can play at five and I think I feel more comfortable because I'm flexible to do whatever I want to do.
That's why basketball was so good, because I didn't really need you or anyone else to play it. It would be better if we played four-on-four or five-on-five, but I could go out there alone.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
I think if you can write a play, or produce a play, the first step toward success [is] if people don't want to kill themselves in the lobby. Now there must be four or five other steps, but that's the first.
The desire to play has always been in me. I remember my first experience at about four or five of really dying to sing and dying to play that came from no one telling me to do so.
Four- and five-year-olds' play is permeated with the rankest sexism. No matter what their parents do and say, they play their momand pop roles in ultraconventional style. We've seen little girls whose mothers are doctors absolutely refuse to take the doctors' parts in their play, insisting that "only boys can be doctors," against all reason. Girls do more washing and drying of clothes, dishes, and babies than they've ever seen their own mothers do, and they turn their play husbands into TV-watching drones who do nothing but talk about money.
There were some super-lean years, yeah. I'm six feet four. And I entered into this period all of a sudden when I was too big to play a kid and I was too young to play an adult. Like, I couldn't play the lawyer, but I couldn't play the high school kid anymore.
My experience over my five years at Wisconsin and my one year in the NFL was that there were times where I couldn't play the game safely. There are positive measures we can take... but on a lead play, on a power play, there's violence.
I play basketball probably four to five days a week when I'm back home.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
When i play in Las Vegas I play for money, when I play in Miami I play for holidays but when I play in #India I play for Love
I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.
If my coach needs me to play the four, I will play it. If they need me to play the three I will play it.
When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
I write in the mornings, two or three hours every day, and then at least four times a week I play in a duplicate game at a bridge club. I try to go to tournaments three, four, or five times a year.
I've got five grandkids. They play baseball, they play football, they play basketball. I go to all the games. You always have that urge to say something when you're watching them. But I've learned to keep it to myself. I've blurted out some things and embarrassed myself.
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