I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.
I'm a grown-up and I'm a creative person so I should try to give something to that and see what I can make with that. And not sit around listening to people be like, 'You really should be on an HBO show. You'd be great on an Amazon series.' You're like, 'Thank you, okay. I don't have any offers.'
I love you just the way you are but you don't see you like I do. You shouldn't try so hard to be perfect. Trust me, perfect should try to be you.
Each child should try to see in his parents the children they previously were. Each parent should try to see in his child the adult he seems to be becoming.
The emotionally sound person should be able to take risks, to ask himself what he really would like to do in life, and then to try to do this, even though he has to risk defeat or failure. He should be adventurous (though not necessarily foolhardy); be willing to try almost anything once, just to see how he likes it; and look forward to some breaks in his usual life routines.
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
I don't stare at a sheet of paper and try to think of a good word to use. I try to see where the story should go.
If I like a movie, I'm definitely advocating for it, but it's not "you should see this" or "you shouldn't see this." I try to take a longer view about what the movie is doing and where it fits in the context of other things, in the way that certain good literary criticism tries to do the same thing.
Try to see the joyful side of life. One must see the pain of life with clear eyes, and help all he can; but there is also lots of joy, and on should see that, too.
I try to live what I teach. A lot of things come against us in life, but we should try to find something to be grateful for, and see each day as a gift.
Your mind has a way of not letting you forget things you wish you could. Especially with people. Like, you'll always try your best to forget things that people say to you or about you, but you always remember. And you'll try to forget things you've seen that no one should see, but you just can't do it. And when you try to forget someone's face, you can't get it out of your head.
We try to push such crazy ideals onto young women: the Hollywood version of what they should look like, what they should do, and the kind of Prince Charming they should be looking for. We should just be proud of who we are, because we can't be anybody else. So what's the point of trying?
I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.
Cooking is like fashion. Always, I like to try to change. If I'm traveling in a different country - to Australia, the Bahamas, Budapest, Moscow - and I see a new ingredient, I like to try it in a new dish.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
When you look at people, you should look at more than what you see on the surface; you should try to find a soul.