A Quote by Loretta Lynn
I don't know what it's like for a book writer or a doctor or a teacher as they work to get established in their jobs, but for a singer, you've got to continue to grow or else you're just like last night's cornbread...stale and dry.
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You've got to continue to grow, or you're just like last night's cornbread - stale and dry.
I've got to continue to work hard because every day somebody's coming for my job. I've got to continue to get better and better each day. I have to act like every day is my last.
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.
I like to remind teachers that even though they're all overwhelmed and overloaded, and it's easy to get burned out, it really is about the kids. It only takes one good teacher to change a life - one time, and one book. That's what happened when I was a kid. I had one good teacher that came in at the right time and turned me into a writer. So never lose sight - you could be that teacher.
Life is like a book son. And every book has an end. No matter how much you like that book you will get to the last page and it will end. No book is complete without its end. And once you get there, only when you read the last words, will you see how good the book is.
I got to work with Gena Rowlands when I did Night on Earth, and the movie was just you and someone else in a car, you're just hanging out. There's nobody else, just a walkie-talkie. It was a night shoot, and it was only a week or ten days. But it was incredible just being in her presence.
We continue to fight for good jobs that pay well and jobs that last. Helping to get folks back to work is about helping them to regain their dignity and pride. That's what families care about.
I didn't know I was gonna act. I thought I was gonna be a singer because that's what I did first, and I was like, 'When I grow up, I want to be, you know, a singer.'
I knew I wanted to be a writer. Where I came from, no one was a writer. I came from Long Island, and everyone became a doctor or a lawyer or an engineer or a teacher or a businessman. I didn't know any writers.
I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else.
An actor can grow stale in a bad part. Actors grow stale, generally, because there's no demand on them.
I started out to be a person on the street, just like everybody else. I didn't start out to be a singer. But I got sort of swept up in this singing thing, and after I got involved in it it got really important to me if I was good or not.
I'm so excited about school. I'm such a shameless student. I laid my clothes out last night, just like I did before my first day of first grade, with my patent leather shoes and my new lunch box. I hope the teacher will like me :)
My dad was a doctor who worked at a jail. He was more like a jail administrator. My mom was a public school teacher. There's no artists in my family whatsoever. So I don't know how that got in my gene pool, but it did.
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, "I will be a comedic actor." I just thought, "I'll go into acting and see what kind of work I can get."
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, 'I will be a comedic actor.' I just thought, 'I'll go into acting and see what kind of work I can get.'
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