A Quote by Loretta Swit
I just can't wait to get out there on stage. There's no anxiety at all. I love being able to take this journey with the audience, because we all have a ball with it - even if we're crying.
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I just can't wait to get out there on stage. There's no anxiety at all. I love being able to take this journey with the audience, because we all have a ball with it - even if we're crying
Providing - that's not love. Being there - that's more important. I mean, we see that. We see that with all these rich socialites. They're crying out for attention; they're hurting for love. I'm not being judgmental - I'm just making an observation. They're crying out for the love that maybe they didn't get at home, and they got everything.
I don't get any anxiety. I don't because of two reasons. Number one, just breaking through it as a kid and finally getting past it was like okay, nothing's ever going to feel that scary again as that deafening silence of a joke not working. Any joke not working is not as bad as not being able to even try and get on stage.
I'm obviously nervous and excited to take on this opportunity but I don't feel added pressure being the first black Bachelorette, because to me I'm just a black woman trying to find love. Yes, I'm doing on this huge stage, but again my journey of love isn't any different just because my skin color is.
I miss playing baseball. Just being able to swing the bat, or run, or dive for a ball, or slide into second. If I could even do that in a softball league, I would never miss anything about baseball. I don't miss the crowds or the travel or even being in the big leagues. I just miss being able to take batting practice and being able to swing as hard as I can. That's all I miss.
I had demos that I'd send out of the songs and I'd get, "Great, can't wait to get in a room and actually play this and work on the album." So, it was good all-around because they knew even though I wasn't with them for some of the shows, I was being productive, which was really important because I didn't want to just sit on my ass. Once I was able to use my hand again, I would go right into it.
I love being on stage, I love being able to tell a story, I love the fact that the audience listens and laughs at it. It makes me happy, and it's what I live for.
All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
Out of your awareness you cannot become soldiers in a war because you will be able to see, with clear eyes, that you are going to kill people - people who have done no harm to you personally, people just like you. They have their children, their wives, their mothers, their old fathers to take care of - and you are killing the person just to get a gold medal. Your gun will slip out of your hand, and that will be an act of awareness. And you will feel tremendously blissful that it happened; even if you are being shot your death will be a glory, a peace, an adventure, a journey into a new world.
I love the stage - the fact that you only have one take to get it right, the interaction with the audience, and how every show is different even though you're doing the same thing.
Being able to write jokes is great, but you still have to get used to performing them and being on stage - and enjoying being on stage, not just like tolerating it.
I was supposed to take the ball out. I told coach, 'There's no way I'm taking the ball out, unless I can shoot it over the backboard and it goes in. I told him, 'Have somebody else take the ball out, give me the ball, and everybody get out of the way.'
I love working in theater because it's such a challenge to have the audience right there in front of you. If you mess up, you have to figure it out and keep going. There's no take two! I do hope to return to the stage someday. I really love to sing.
We love not just Judas Priest music, but we love heavy metal and we love to get out on that stage every night and perform. It's a joy to be able to do it.
With stage, you feel completely like you're just in a bubble. I love not being able to see anything. I love coming out and I can't see anything because the lights are so bright and it's pitch black. That's ideal for me, that's when I have the best time.
But live you get the chance every night to rework it and change it and hone it. But then you get the false, weird oddness of being able to look at it and say: "Well that's weird, because last night they laughed at that and yet they didn't tonight. So what did I do? Nothing was different." You have that strange thing of being able to tell within five minutes what an audience is like. Very quickly an audience gets a personality and you start to think: "What is it about you all; you all hate it, don't you?" Then you come out and have friends in and they say: "It was brilliant!"
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