A Quote by Loretta Young
A face is like the outside of a house, and most faces, like most houses, give us an idea of what we can expect to find inside.
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I feel most sexy when everything comes together! I like to maintain myself by going to the gym, I love the gym. I also feel most confident when I feel most beautiful inside - it shows on the outside! If I don't feel like putting on makeup to leave the house, I just add a slick of lipstick to make myself feel sexy
Yes, but if we hurt the Abadonna in the process, we’re going to find out what it feels like to be turned inside out. Literally. Like most beings, I actually like the fact that my skin is outside my body. (Urian)
I am shocked at how much time I spend in the White House. I mean, you know, for people on the outside, the idea of going to the White House for a meeting must seem like the most important, serious, even glamorous kind of thing to do.
Emilio Pucci obviously I think it's one of the best houses in Italy - and one of the most legendary ones as well. That's why I came here. I also like the idea of working with a house that has a history that you can collaborate and exchange ideas with in the way you would with another person.
The inner boy in a messed-up family may keep on being shamed, invaded, disappointed, and paralyzed for years and years. "I am a victim," he says, over and over; and he is. But that very identification with victimhood keeps the soul house open and available for still more invasions. Most American men today do not have enough awakened or living warriors inside to defend their soul houses. And most people, men or women, do not know what genuine outward or inward warriors would look like, or feel like.
The thing about the human face is that we're so genetically programmed to recognize differences in human faces that, when you're digitally affecting faces, you have to be the most careful because even the smallest adjustment and it feels like it just isn't him anymore.
Faces are the most interesting things we see; other people fascinate me, and the most interesting aspect of other people - the point where we go inside them - is the face. It tells all.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
I like old people when they have aged well. And old houses with an accumulation of sweet honest living in them are good. And the timelessness that only the passing of Time itself can give to objects both inside and outside the spirit is a continuing reassurance.
What we are doing is satisfying the American public. That's our job. I always say we have to give most of the people what they want most of the time. That's what they expect from us.
Perhaps the most important thing we can ever do in our lives is find a way to keep the wild-both the wild inside and the wild outside us-and tap into it.
There is so much darkness in Ember, Lina. It's not just outside, it's inside us, too. Everyone has some darkness inside. It's like a hungry creature. It wants and wants and wants with a terrible power. And the more you give it, the bigger and hungrier it gets.
I feel like a lot of my fans hold high expectations of me when it comes to inside the Octagon - not so much outside of the Octagon - but I feel like most of my performances are pretty dominant, so I don't feel like I have the luxury to not perform in an extremely impressive fashion.
We try to exile ourselves more and more from nature - not always consciously: We build houses; we dismiss nature; nature has to be outside, because we're inside. God forbid something like a cockroach comes inside, or some dust.
Most of us do not like to look inside ourselves for the same reason we don't like to open a letter that has bad news.
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
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