A Quote by Lori Foster
For writers: If you polish a book too much, it'll be flat and shiny and smooth--and not too interesting. It's the little pits and bumps and whatnot that show voice and make a book unique from all the other super shiny flat surfaces
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You can point any kind of laser at my face, but I don't think Botox is for me. I think it is bad. People who have too much, they look like their faces are full of candles - a shiny, shiny face.
I think I'm lucky having parents that have been in show business for a while, and they don't care about the shiny stuff so much. They raised me in that way - to stay grounded, not to chase the shiny, pretty things.
Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
I'm lucky having parents that have been in show business for a while and they don't care about the shiny stuff so much. They raised me in that way - to stay grounded, not to chase the shiny pretty things. I stay in the moment, because when you do that the hype goes away.
I know that one of my difficulties as an actor is to try to do too much, from all those years ago when my acting took place live on a stage. It was just my shiny face there, so you've gotta be super careful how much over-expressing you're doing with your eyes and nose and so on.
There's such a thing as being a little too perfect - a little too shiny. I know I prefer things that have room to breathe and give you a story, a world, in which you have the room to move around.
Emily Kendal Frey's The Grief Performance is a book that condenses a journey of finding and re-finding loss into beautiful packages. The packages are the poems and they sit shiny and new on every page of this fabulous and generous book. I want to go into the world that these poems create, just so that I can be given these terrifying presents again and again. I know you will, too. See you there.
When a translator translates my book, it is no longer just my book. It is the translator's book, too. So the book in another language is almost the work of two people. And that is quite interesting to me.
I just start with a pencil and paper. I don't want something too trendy, too fashion-forward. I don't want to make something I consider a regular person couldn't wear with blue jeans. But I don't want to make something that other people make, either - like a skinny black suit in a shiny material that you can buy anywhere.
[On Dutch flat poetry]: It is too smooth and blubbery; it reads like butter-milk gurgling from a jug.
Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
A lot of times, the inspiration for a novel is a messy bird's nest of shiny things. Little things that don't make a whole lot of sense or that, no matter how hard you look, cannot be found directly in the finished book.
When I receive a new novel from a hopeful publisher - "hoping that I like the book as much as he does" - I check first of all how much dialog there is, and if it looks too abundant or too sustained, I shut the book with a bang.
When I run on the treadmill, I read. But I have found that the only way to read while on the treadmill is to hold the book, since it moves around too much on the stand, you move around too much. I've gotten very good at holding a book and running, which tends to screw up my neck a little bit.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch tv too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
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