A Quote by Lori Foster

I would never write something that made me uncomfortable. I'm not sure it's even possible. — © Lori Foster
I would never write something that made me uncomfortable. I'm not sure it's even possible.
I would never write something that made me uncomfortable. Im not sure its even possible.
More than once at TechCrunch, we made AOL extremely uncomfortable with things that we wrote. But they never ordered us to write or not write about something because they understood that not only would we not comply, we'd write a post about the whole thing.
My mother told me never explain, never complain. Even as a young actress, I determined I would never give personal interviews, since they made me so uncomfortable.
If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.
When I write something that would have made me laugh as a 10-year-old, or would have scared me or would have excited me, I know I'm onto something.
I would have never dreamed that my career would be this successful. I grew up in an average home in Barbados, and we didn't live in the best neighborhood. But I was never aware that we were poor; my mom never made us feel that way. She loved me unconditionally. She made us feel anything was possible and instilled in me such confidence.
I grew up with the motto of "they can't kill you and eat you," and I still think that's right. You sure as hell can't! When it comes to speaking about my body makes other people uncomfortable but it doesn't make me uncomfortable. It makes them think more about themselves than it makes them judge me. I've always had this body and had to live with it. I've never been a little thing. I've been smaller but I've never been small, even as a baby. I've never had that window into that kind of world where people only talk to you because you're conventionally sexy.
Political consequences have never really come into my thinking. I didn't think about it when we made 'Maurice' or when I said first I would co-direct and then write the screenplay of 'Call Me'. I was just making something I thought I would enjoy creating.
It's been harder for me for sure being Muslim American, it's been harder for me for sure being the first Muslim ever elected anything here in Virginia, but it's actually made me into a much better person. So, the neat thing is while it's more difficult for people like me maybe to get elected in certain parts of our country, we prove that it's possible. And, that's something to be commended here in our country, that people from all walks of life can be involved and that's not the case even in some developed countries.
I should start charging uncomfortable thoughts rent. Except what would they pay me in? Probably something even worse.
I can say, 'I am terribly frightened and fear is terrible and awful and it makes me uncomfortable, so I won't do that because it makes me uncomfortable.' Or I could say, 'Get used to being uncomfortable. It is uncomfortable doing something that's risky. But so what? Do you want to stagnate and just be comfortable?'
My parents made choices that would put me in environments where I would feel comfortable. And I'm really appreciative of that. They made sure we had some Latinos in our lives, even though there were none near the area I grew up in.
If I played something incorrectly, I whipped myself mercilessly. Whenever I made a mistake, I made sure that I would never allow myself to repeat it. Every guitarist wants to play well. But in reality, if good intentions were all it took, then everyone would be great.
I'm not sure that it's possible to write a novel about people who don't transgress or stumble, people who don't surprise themselves with the things they do, people who can explain all their actions with perfect logical consistency. At least it's not possible for me to write that sort of novel.
When you played Kobe, it was something different. When you went to L.A., you made sure your shoes were tied extra tight. You made sure you got sleep, you made sure you ate better. He just made you better.
You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.
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