A Quote by Lori Goldstein

I love mixing and playing with different textures and the whole taking different designers and mixing them - I was one of the first, I think, to not do a full runway look, yet there's always a method to the madness, which is the harmonious discord.
I don't think people experiment enough with clothing because society tries to tell them what they can and can't wear. I love playing around with different aesthetics and/or mixing around aesthetics to create a totally new look.
Design, whether it's on your body or in your home, is the same thing. It's mixing different colors, different textures, and unexpected patterns - elements that you wouldn't often put together in an interesting way.
With clothes, I like mixing what different designers do until it becomes a personal expression of how I'm feeling that day.
But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.
I think my heritage makes me very open to try things, taking on different flavours, mixing it all up. I find that exciting.
You always want to see people who are just like a little outside of the box. Maybe making mistakes sometimes. Not taking something that's straight off the runway, but mixing and matching things. Old and new.
If you decide to go on a Buddhist path, you have to be careful if you start mixing a lot of different traditions you are not totally familiar with - mixing this kind of meditation with that kind of practice or this kind of visualization with that kind of mantra. Then you really are concocting your own thing, and you have no idea what is going to happen.
I've always strived to keep mixing it up, keep doing different things, and work in all different parts of our business.
I don't even think places like the National Youth Theatre (NYT) are necessarily about wanting to be an actor when you grow up. They're about meeting people from different backgrounds and different religions and different cultures, and mixing with people that you wouldn't ordinarily meet.
I like mixing things up. That makes it more interesting. I love mixing in slower funk with what I do. I'll add drum and bass and put my foot to the gas pedal and press it to the floor.
I don't think unlacquered brass is going anywhere. And I hope the trend of mixing metals continues to live on. The trick to mixing metals is balance.
My philosophy with my career is mostly to just mix it up with a little bit of everything in moderation. And that's what makes my job so great, is that I get to constantly do different things, put on different hats, be different people, and mixing up the genre really lends itself to that.
I was always interested in mixing experimentation with pop music, and Brian Eno, Kraftwerk, Tangerine Dream - we were all doing it at the same time, just very isolated from each other, all in our different cellars, in different worlds, without the Internet - underground in every sense.
We won't do something different for different's sake. Designers cave in to marketing, to the corporate agenda, which is sort of, 'Oh, it looks like the last one; can't we make it look different?' Well no, there's no reason to.
It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing.
Men mixing with women is like fire mixing with wood.
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