A Quote by Lori Loughlin
I think that 'Full House' is just a feel-good show. It's not meant to be anything more than just a little silly, funny, heartfelt, and warm program.
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I just stay healthy all year round. I try to feel good in my skin. For me, I have trained in ballet my whole life so my body really feels best when I feel strong and tight and toned, and I think that comes from years and years of constant training as a ballerina. Leading up to the show, getting out there in your underwear, you just want to feel your best mainly in your head than more anything else. Obviously you want to feel good physically too, so it's more just in your head, pushing yourself, approaching this challenge and taking the opportunity to push yourself a little further.
I don't think that there is anything unreal when it comes to romance onscreen. It's just a little more glorifying. But whatever you feel in real life about love, is just what we try to show on the silver screen as well.
When I was a kid I didn't feel like I fit in because - this is really silly and I probably shouldn't say it, but, I didn't think anything was funny. So I used to go home and literally cry to my mom and my step-dad at the time and I didn't think anything was funny. I couldn't laugh.
I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
'Lucky' is for laughs, and there's really nothing funny that I'm doing on 'Dexter.' I think more than anything, both comment on the fact that anybody is capable of anything. Just because they are the shy guy in the corner doesn't mean that they are a harmless little bunny.
Nothing's true that I say, because I don't really want to say anything. I don't think my life's that cool, and I don't think my opinion's that valid. They're just silly jokes. Usually I just take a topic that isn't funny at all, like Shakespeare, and work backwards. I just try to find an unfunny subject.
Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.
I'm trying to bring something new to the Tin Man. He may be the one without the heart, but he's the most heartfelt guy there. It's a more manly heartfelt, a 'don't feel sorry for me' - type of heartfelt. I don't want to say tougher, because that just sounds stupid. But the Tin Man is a man's man.
I just think old old movies, they make you concentrate and pay attention so much more. They feel so warm. A lot of modern digital videotape, it's just too bright. Don't know why, it's not warm.
More than his exterior hit me. I felt warm and safe just being with him. He brought comfort after my terrible day. So often with other people I felt a need to be center of attention, to be funny and always have something clever to say. It was a habit I needed to shake. But with him I never felt like I had to be anything more than what I already was. I didn’t have to entertain him or think up jokes or even flirt. It was enough to just be together, to be so completely comfortable in each other’s presence—we lost all sense of self-consciousness.
Patrick is vey modest about using the Sir thing and I just inherited it by marriage, so more than anything it's just kind of a funny little thing that we call one another from time to time. He calls me 'His Ladyship', which is just hilarious.
I just feel - specifically about that holiday - why is it just one day that you have to tell the person that you love how much you love them? I think that is a little silly. I am much more the girl that likes the spontaneous.
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
It's just for some reason I've got just as many fans that only like me when I'm yelling or being funny or whatnot, and jumping up and down on a pogo stick while playing a fancy lead guitar. And they get mad when I sing a heartfelt emotional song and if there's an album full of them.
I don't think films about working class people are sad at all; I think they're funny and lively and invigorating and warm and generous and full of good things.
People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.
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