A Quote by Lorin Stein
There are two basic defenses for an open ending: one is, If you read carefully enough, you'll know what happened. And the other is, That's how life is: things don't come to neat endings, there isn't a "happily ever after." But if you take that second line of defense, then I think you have to make the point that the writer has shown the range of possibility.
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Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.
Have you thought of an ending?' 'Yes , several, and all are dark and unpleasant,' said Frodo. 'Oh , that won't do!' said Bilbo. 'Books ought to have good endings. How would this do: and they all settled down and lived together happily ever after?' 'It will do well, if it ever comes to that,' said Frodo.
Because I think of novels as collaborative enterprises between the writer and the reader, all of my novels so far have ending with endings that maybe point in more than one direction, and that seems important to me because it seems important to me that after you've invested twenty or thirty hours of your imaginative life into this narrative that you have some stake in how it ends.
Well, I didn't read My Day by Eleanor Roosevelt very carefully. I was away during a lot of that, in the war and so on. She was not all that good a writer. She was a little bit on the banal side, and you know, what happened, and then this happened, and then that happened... But I will say this. She got very well paid for it.
I think almost everything important that's ever happened was unimaginable shortly before it happened. Good things and bad things: ending slavery, ending child labor, women voting, etc.
Mirror sighed. "I believe everyone deserves a happily ever after. But I think that happy endings don't just happen by accident- you can't wait for one. You have to make them happen.
Books ought to have good endings.How would this do: and they all settled down and lived together happily ever after?
Probably a good idea, let me know how it ends" "I already know how it ends" "You read the ending first?" "I always read the ending before I commit to the whole book." "If you know how it ends, why read the book?" "I don't read for the ending. I read for the story".
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
If ever there were a true "just as I am" church, if ever there were a community where everybody could bring all their baggage and brokenness with them without neat and tidy happy endings quite yet, if ever there was a group where everyone was loved and no one pretended - we could not make enough room inside the building.
Once again, I don’t quite know where I’m headed Steph. It seems that every few years I’m shoveling up the pieces of my life and starting from scratch all over. No matter what I do or how hard I try I can’t seem to reach the dizzy heights of happiness, success, and security, like so many people do. And I’m not talking about becoming a millionaire and living happily ever after. I just mean reaching a point in my life that I can stop what I’m doing, take a look around me, breathe a sigh of relief, and think “I’m where I want to be now.
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
The unblemished ideal exists only in happily-ever-after fairy tales. Ruth likes to say, "If two people agree on everything, one of them is unnecessary." The sooner we accept that as a fact of life, the better we will be able to adjust to each other and enjoy togetherness. "Happily incompatible" is a good adjustment.
Happily ever after?" "If justice doesn't triumph and love doesn't make the circle in entertainment fiction, what's the point? Real life sucks too often.
I definitely prefer real-life endings. But I do like having an ending. I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.
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