A Quote by Loris Karius
When I started, I was a striker for the first few months. Our goalkeeper didn't show up once, and the team was asked who wanted to fill in for him. No-one really wanted to, but I thought it would be an interesting challenge, so I agreed to do it.
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I just kinda do what I feel. I never knew what lane I would fill, [or that] I would fill a lane at all. I didn't even really contemplate that far down the road. I just started having fun, and a lot of that came from me seeing Wayne dare to be different, and I started feeling like I can be a multifaceted rapper. I don't have to be a one-dimensional female rapper. Once I put that in perspective, it was like everything just got easier for me, because I no longer wanted to fit in anybody's box... I just wanted to be Nicki.
I asked him what he wanted to do for his career, and he replied that he wanted to go into a particular field, but thought he should work for McKinsey for a few years first to add to his resume. To me that's like saving sex for your old age. It makes no sense.
Strangely, from a life-change standpoint, I sold the company I was running and got divorced in the same month. And so there I was, at home, and I'm not the CEO. I took a few months thinking about what I wanted to do. When the first call came in about running a company owned by Deutsche Telekom, I thought it was laughable and really not something I'd do. I took the meeting mainly because the headhunter I knew. At first I thought I was just helping her fill out the roster, but then I dug into it.
I really didn't know If I wanted to pursue the Olympics for wrestling. I didn't know what to do with my life. So, I prayed about it. My manager called me a few weeks later and asked if I wanted to fight. I agreed to give it a shot, and I went out and got knocked out.
Fights with my father were really quite brutal. I would not live his vision. I would not become who he wanted me to be. Everything I did was criticized. I would spend three months drawing something and show him, and he would look up from his paper and just look back down. I got no approval from him for anything I did that was creative.
I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race
I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.
When the media would call and want to interview me, I thought it was 'cause they really wanted to find out what I thought about things. I thought it was because they really wanted to find out who I am. That's not what they wanted. They already in their minds knew who I was and they didn't like it, and they wanted face-to-face opportunities to expose my defects and my problems and my racism and bigotry and all this.
Christopher Walken could literally read a phone book and fill a theater, and it would be interesting to watch. I've often wanted to produce a show and ask him if he'd do that. All week long, he could read the As on Tuesday, the Bs on Wednesday; we'd see how long it would last.
I thought A Prairie Home Companion would be an interesting thing to do for a summer or so. Public radio was just seven years old in 1974. It was a tiny organization in which a lot of things got started simply because there was all this time to fill. If you wanted to do an hour on Lithuanian folk dancing, you probably could have done it.
Obviously, I couldn't imagine that my career would go so well. When I first started, I wanted to play out of goal. But there was no goalkeeper, and the coach put me in goal.
When I was nine or ten, I had a chat with my coach and I asked if I could play in goal. I started playing as a goalkeeper and it was love at first sight. Only a goalkeeper knows how it is.
For me, I was literally trying to stay afloat. I never actually thought I would get my own sketch show. So the idea that one day I would have my own show is pretty wild. But once I got it, I thought, 'Yeah, this is exactly what I always wanted to do.
For me, I was literally trying to stay afloat. I never actually thought I would get my own sketch show. So the idea that one day I would have my own show is pretty wild. But once I got it, I thought, 'Yeah, this is exactly what I always wanted to do.'
I would try to be a striker even though I wasn't and once I started growing up and seeing professional football was a step closer I would look at Sergio Ramos. I always looked up to Ramos as an example and watched him a lot.
Working in MTV's development team, my days would consist of pitches and deciding which concepts we wanted to buy. We would then develop those into a pilot. Very few ended up making it to a full series, but if they did, I would manage the project alongside the show's creators.
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