A Quote by Lorna Luft

The most memorable night of The Judy Garland Show for me was the night my mother pulled me out of the audience and sang to me onstage. — © Lorna Luft
The most memorable night of The Judy Garland Show for me was the night my mother pulled me out of the audience and sang to me onstage.
I made all these great musicals with Judy Garland. It was all about me going into a barn and saying: 'Let's put on a show.' That's what me and Judy did.
I knew the full 'Judy Garland Carnegie Hall' double album set at age 2. And then my mother wondered why I was gay. I was like, 'Are you nuts? You would make me get on the table to sing Judy Garland songs and you're upset?
I knew the full 'Judy Garland Carnegie Hall' double album set at age 2. And then my mother wondered why I was gay. I was like, 'Are you nuts? You would make me get on the table to sing Judy Garland songs and you're upset?'
I live in one of Judy Garland's houses. As a fan, I never much liked Judy Garland, but living here, I feel like I have come to know her. People have given me a few of her possessions, and my neighbors have told me things that I wish I didn't know.
One day, when I was still living at home, a friend told 'Texas' Jean Valli about me. She was originally from Syracuse, N.Y., and lived in New Jersey but sang country. One night, she had me come up on stage where she was performing. I sang 'My Mother's Eyes,' and she was knocked out.
When we went to Judy Davis and said, 'We want you to play Judy Garland in the mini-series 'Life With Judy Garland,' she was shocked, but we just had an instinct about her.
I sang "O Holy Night" in a school choir. My mother came and listened to me and complimented me. So that was the high point. I cannot sing a note.
It was probably my parents who inspired me most. My father was a scientist and answered my scientific questions, while my mother took me on walks and showed me birds and plants. She also took me out at night and showed me the constellations and the aurora.
The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
I wish I had a really cool, esoteric answer, but what the process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
I followed a girl I met in Japan to Los Angeles and ended up working in a motorcycle store. I quit the job one night, went to a party in the Hollywood Hills and ended up yelling at a bunch of people. Someone saw me yelling and asked me to be in a play. The first night, there was an agent in the audience who took me on and sent me out for jobs.
We used to sing along to Judy Garland and Ella Fitzgerald records together. She had the most amazing voice ... She's always encouraged me, and she's still that person who, when things look dire, lifts me up and reminds me of who I am and that we all have a capacity for greatness.
I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
When I look back at The Judy Garland Show, I have such mixed feelings. It broke my mother's heart when they canceled it.
I have a night off on Halloween. It's Halloween for me every night. Let everybody else be Ozzy for the night. People go out dressed as me.
I don't do the show business lifestyle, you'll never see me rolling out of parties with a goody bag in my hand. My night out is a night in, with friends round for dinner.
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