A Quote by Lorne Greene

Even 'Bonanza' was derivative of other westerns and, of course, other westerns were derivative of 'Bonanza.' — © Lorne Greene
Even 'Bonanza' was derivative of other westerns and, of course, other westerns were derivative of 'Bonanza.'
I actually don't like westerns much. I like good westerns, but it isn't my preferred genre. There are all kinds of westerns: acid westerns, '70s westerns, Nicholas Ray's neurotic westerns. The ones I tend to like are nutso westerns.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
I've always been a fan of Westerns, but my favorite kind of Westerns mostly were Sam Peckinpah's Westerns, and they mainly took place in the West that was changing.
If one were to go back to the '50s, the most popular TV genre on the air in the United States were Westerns. You could go turn on ABC or CBS on any night and you'd almost have three full hours of everything from 'Bonanza' to 'Rawhide' to 'Wanted Dead or Alive.'
I guess after Dances With Wolves they probably tried some derivative westerns, and if they didn't work, they said the western is dead and moved on to something else
I guess after Dances With Wolves they probably tried some derivative westerns, and if they didn't work, they said the western is dead and moved on to something else.
I decided to write Westerns because there was a terrific market for Westerns in the '50s. There were a lot of pulp magazines, like 'Dime Western' and '10 Story Western' that were still being published. The better ones paid two cents a word. And I thought, 'I like Westerns.'
I watched westerns when I was a kid, like everybody else, but I wasn't a total nerd or geek about it. I kind of fell in love with westerns heavily when I started watching Sergio Leone's westerns.
I would very much like to make Westerns. I love Westerns. I've worked on many Westerns in my youth, in Spain and here, and I love working on them.
The defining aspects of westerns are still pretty much in place - namely landscape and conflict. In other books the conflict can be internal, but in westerns it usually plays out on a big stage.
The Indian economy has declined because of the peculiar Indian 'invention' of that perfidious financial derivative called Participatory Notes, or PNs, otherwise known as the crony/crooked facilitator for black-money-based portfolio investment. No other country would think of such a derivative.
The credit derivative market would never have evolved but for the preexistence of the derivative markets because so much of the technology was borrowed.
You don't just have to see superhero movies. Ultimately, those movies are westerns - superheroes are good guys fighting bad guys in a landscape. In westerns, that divide couldn't be any more clear, but the only superpower you have is that you're a quicker shot than the other guy.
The thing that influenced me most in relation to 'Nanny McPhee' were the Westerns I watched with my father. All the Spaghetti Westerns; all the Virginians; all the High Chaparrals. Because if you think about the form, it's a stranger from out of town.
Many venture capitalists say they're looking for the next big idea. But they aren't, really; they're looking for something derivative, because derivative is safe.
I want to be able to make westerns like Akira Kurosawa makes westerns.
This site uses cookies to ensure you get the best experience. More info...
Got it!