A Quote by Lorne Greene

The Smothers Brothers have a good show, bul CBS is going to have to spend an awful lot of money to keep it going with top guest stars. A variety show is very expensive. — © Lorne Greene
The Smothers Brothers have a good show, bul CBS is going to have to spend an awful lot of money to keep it going with top guest stars. A variety show is very expensive.
I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today.
I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie - the networks just wouldn't spend the money today.
I went on the Andy Williams show, the Smothers Brothers show, and maybe I shouldn't have. But regrets - I don't think I have any.
If Portland can truly have a true comics show that doesn't become a media show but retains its focus on comics, I think it's going to serve the city well. If this becomes a big show, it's going to bring in a lot of money for the city.
I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.
If consumers don't have the wherewithal to spend because all the money's going to the top, and the people at the top only spend a very small fraction of what they earn, then the economy is almost inevitably destined to slow.
I remember running into Aaron's Sorkin office and going "The show's West Wing going to work! I know it's going to work!" And it was literally that moment: the energy, the place, the feel. I didn't know the show would be successful but I thought it was going to be good and I don't have that feeling very often. And we were rehearsing all of that not knowing who the President of the United States was!
One of the tricky things about running a TV show is that you just never know how good the guest stars you cast on a weekly basis, how good they're going to be in the episode. Sometimes they surprise you in good ways and sometimes they surprise you in disappointing ways.
I had my one guest star on The Flash, and that became several guest stars, and then they mentioned this new show.
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
I'm working on a cooking show; I'm going to do some of it at Dallas Page's performance center. I'm going to do a cooking show called 'Dude Food,' where I show young guys how to eat good and clean, cheap.
I want our fans to get their money's worth. If they are going to spend $40 to come to a show, it has to be good, from beginning to end. I like razzle-dazzle; we all do.
'Dancing With the Stars' has become a phenomenon, and when I look at that type of reality show, it's like a variety show.
Making music on TV used to be as common as commercials. In the '60s and '70s, prime time was stuffed with variety shows headlined by such major and treasured talents as Carol Burnett, Red Skelton, the Smothers Brothers and Richard Pryor, who had a very brief comedy-variety hour on NBC that was censored literally to death.
I'm currently doing a Soul Pancake show called Top of the Monday, which is basically a good morning news show. It's just me being silly, telling people about good news that's going on in the world, putting them in the mood to start their week.
There's going to be an awful lot of people who are going to get the opportunity to go up and explore among the stars.
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