A Quote by Lorne Michaels
The only show I ever really wanted to do was 'SNL.' It was some sort of merging of my talent and my metabolism. It suited who I am and what I do really well, though whatever I was thinking it was, it kept mutating and growing. At first, I didn't even know that the cast would be the thing everybody talked about. We thought it would be the hosts.
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Even before I got on 'SNL' I assumed I would do some type of sitcom; I kind of thought that was how I would start. I don't mean to sound arrogant - I just thought I would be best suited to the form.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
The nice thing about being a band that nobody knows about is that you can do whatever you want, you know? Without catching hell for it. That's sort of how we felt about the re-recording, too. I thought, "Well, you know a few people noticed this record the first time around but not so many will really protest if we do it again."
From the time I was very young, maybe five or six, I thought a lot about being an actress. I didn't tell my friends about my ambitions, though, especially when I got older, because I thought they would not receive them well. I never talked about what I wanted to do.
I wanted my first film to be something where I was surrounded by an amazing cast. I wanted to do something that was completely unexpected, totally out of the box, something that would blow people's minds, that the last thing on the planet earth they would ever think I would do would be it.
I hate to predict my future. I never really thought I would be a head coach at 34 years old. I never thought I would be traded to Tampa. I never even really thought I would be fired, even though I probably deserved it. I try not to predict things.
I guess I consider myself a cartoonist first, though I was "trained" as a painter/printmaker/sculptor. If there's still any resistance to cartooning in the nuts-and-bolts world of acquiring the means of survival, it's probably mostly on the pay scale. If graphic novels are selling really well and are "growing the book market" or whatever it is a businessman would say about them, I don't see it in the remuneration offered by some of the publishers.
When I was writing the script I thought he is this guy. I really hoped...I kept imagining him as that guy. And then he came in to audition and I was really nervous because I really wanted him to do Greek, you know? And he...I didn't know who else I could cast. And he was amazing in the audition. Really funny.
When I first told people I was writing a book, some would say that was interesting, but others thought it was some holiday project and I would lose interest. I think my parents thought the same thing, and they were surprised when I kept going. I'm not sure I thought I would keep going, but then it became a big part of my life.
I auditioned [for America's Most Talented Kids] just to see where I would rank. I had been playing [gigs] around town, and I wanted to see what people thought of me because when I played a show, everyone would clap but I didn't know what they were really thinking.
When I was 9 years old, I really wanted to be in the show business. I really wanted to be an artist. I would grab a wooden spoon and I would start singing, even if it was for my uncles and my aunts. And I would just sing any lah-lah song.
I knew I would work in a community that I would like to live in, but I had no idea that I would ever go into politics, even though some of my classmates thought I would.
I thought about going onto the first one, Pop Idol. My mum was saying, 'Go on!' But I decided not to. 'The X Factor,' though, doesn't really seem to be a show about musical talent anymore.
When the media would call and want to interview me, I thought it was 'cause they really wanted to find out what I thought about things. I thought it was because they really wanted to find out who I am. That's not what they wanted. They already in their minds knew who I was and they didn't like it, and they wanted face-to-face opportunities to expose my defects and my problems and my racism and bigotry and all this.
When I first moved out to Los Angeles I was thinking, you know, I wanted to be an actor but I didn't really know what acting was about. I thought if I could be a model, or even do commercials and stuff like that for the rest of my life, I'd be happy.
When I was thinking about what we could do in terms of what production values of Broadway might be able to add to the show, I had this thought that it would be really cool if we had a coup de théâtre. What would they want? And then I was like, an amazing, enormous tuna puppet that was like 30 by 40 feet would be pretty incredible. So I called up Basil Twist, and he got really excited immediately and started sketching out his idea, and I think it's a real highlight of the show.
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