A Quote by Lorraine Hansberry
I believe that one of the most sound ideas in dramatic writing is that in order to create the universal, you must pay very great attention to the specific. Universality, I think, emerges from truthful identity of what is.
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You know, there's a saying in art that in order to be universal you must be specific. So I think every artist feels that he is dealing with specific things but that it also has significance universally.
There's always to me a universality - one of the things I learned early on as a journalist and a writer is that there's a universality in specifics. The more specific you get, the more universal it can be.
The version of cosmopolitanism that I favor is exactly about balancing universality and difference. Many people who believe rightly in universality, want, wrongly, I think, to impose their vision of the world on others. They think not just that there are universal truths but that they already know what they are. And they don't think they have anything to learn, as a result, from others. They don't converse, they try to convert.
From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.
To discover what you really believe, pay attention to the way you act -- and to what you do when things don't go the way you think they should. Pay attention to what you value. Pay attention to how and on what you spend your time. Your money. And pay attention to the way you eat.
It's a bad strategy to have an identity-based strategy on the left. De-emphasizing identity all-around would help our politics because we would have to pay more attention to the issues. We may have to pay more attention to class if we didn't have these self-defeating identity agendas.
I think there's a danger with any great art, that if you begin to test your ideas on other people, and get their opinions before making decisions, or if you pay too much attention to what other people say about what you create, that it really pollutes your expression. I think that I'm much more about pure art and honesty and expressing exactly what I feel, and not caring so much what anyone says. However, I do respect, and I do pay attention to everyone's comments. And I do take them into consideration. But I don't base my decisions by it
Every kid has a laptop; everyone can make music, so in order to stand out, I think it's important to find that sonic identity, I think my sonic identity - and mine is finding these weird sounds that may not necessarily sound that musical, and make them sound musical.
You be as truthful as you can to a specific situation, and it will become universal.
The singularity of Islam is its universality. As American citizens and as Muslims, you need to show there is something specific, namely our moral singularity. We believe there is one God and this one God is pushing us to reach universal values by liberating ourselves from our ego and by serving humanity. We must be involved in this by all means necessary, in a nonviolent way, through the legal, media, economic and cultural systems. We cannot achieve this if there is no courage, if we are not ready to sacrifice.
I think I started writing about identity, and I used to believe that identity is the story. But now I'm not so much subscribed to that. I mean, with 'Mr. Fox,' it has a feminist agenda as well. And so, as I sort of been away from writing about identity, I still feel that kind of tug of roots and, you know, cultural background.
I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room. I used to shoot in a way that drew more attention to the camera and I've tried, in each film, to draw less and less attention to the camera. I think when you pay attention to the shots, you're aware of the fact that there's a director.
I think the business of writing a great deal of it is the business of paying attention to your characters, to the world they live in, to the story you have to tell, but just a kind of deep attention and out of that if you pay attention properly the story will tell you what it needs.
What the left ends up missing is that politics have always been at the heart of American culture; it's been a white identity that's been rendered invisible and neutral because it's seen as objective and universal. As a result, we don't pay attention to how whiteness is one among many racial identities, and that identity politics have been here since the get-go.
Most people think that intelligence is about brain, where really it's about focus. Genius is just attention to a subject until it becomes specific, specific, specific.
Whenever you think you're writing what other people want to hear from you, and that it'll be commercial, you're doomed to disaster. Writing has to be as truthful and specific as we can make it. The minute we think that we're reaching more people and pleasing them, we get general. And audiences sense that and turn away, shun us.
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