A Quote by Lorraine Toussaint
Once I'm on set, the only thing I'm really interested in is being in the room. Being present. And trusting that what I've done is sufficient, and I'm also trusting that I've also left room for magic.
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I think acting is really fully adapting - to your surroundings, to your emotions, to the people that you're working with, to being tired, to want to go home, to being lonely, to being happy. It's adapting for me, and trusting. Adapting and trusting, that's my format right there.
I loved being on the set with my stepfather. I loved the magic of movies. I went on the set of 'The Mod Squad' - I mean, can you imagine? Just walking into a living room and then walking behind the living room, and it's just flat. There's nothing I love more than being on a sound stage.
The government's appearing to be a necessary evil does not oblige people to trust it. We face a choice of trusting government or trusting freedom-trusting overlords who have lied and abused their power or trusting individuals to make the most of their own lives.
Trusting the world is a risk, while not trusting it is a guarantee you'll be left with nothing.
I am here to help you unburden all your guilt feelings. I am here to help you to start trusting yourself again. Once you start trusting your own being, no politician, no priest can exploit you. Man is always exploited through fear.
The Italian word 'stanza' means 'a room', and a room is a good way to conceive of a stanza. A room, generally speaking, is sufficient for its own purposes, but it does not constitute a house. A stanza has the same sense of containment, without being complete or independent.
Being a perfectionist, I didn't want to settle for just getting by, so I enrolled in a vocal training program. I then learned that songwriting and studying the voice actually pair with a lot of troubles that I had expressing myself, being vulnerable, trusting other people, trusting myself, calming anxiety. It became a life instructor of sorts and that is what kept me engaged with it.
In trusting, we let ourselves go. We know that all kinds of unexpected events may come our way. Our tension eases, our mind and our hearts open spontaneously to be possibilities. It is an ever new state of mind, in the present moment, because we have detached from all we know. But it is also a feeling as old as can be, because, before all betrayals and all disappointments, there was a time in which trusting another was the very substance of our life.
I think, going into a room for an audition, the best thing you can do is represent who you are specifically as an individual and what you can bring to a creative process in a room - as opposed to being worried about 'where you fit' - because that's really their job to decide where you fit. Your job is to just present the best 'you' you can.
Also marvelous in a room is the light that comes through the windows of a room and that belongs to the room. The sun does not realize how beautiful it is until after a room is made. A man’s creation, the making of a room, is nothing short of a miracle. Just think, that a man can claim a slice of the sun.
I think most teen comedies are probably played in a way that aren't geared towards people that are wanting to be entertained but also [see] something that has a lot of heart to it. The things we do in the movie - it has a lot of heart, and also it's really smart. The people and the characters that we are, we're really intelligent people that are using our tactics to get back at a guy. The moral of being who you are, and trusting yourself, finding your inner strength - I think that's something that most teen movies don't really dial into.
My concern today is with the painting of manners of the present. The past is interesting not only by reason of the beauty which could be distilled from it by those artists for whom it was the present, but also precisely because it is the past, for its historical value. It is the same with the present. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present
Dancing is being trusted with other people's guts; choreographing is trusting other people with yours. When I choreograph I'm giving a dancer something to do and trusting the dancer to do it and build on it.
I feel that being comfortable - being yourself - when you walk into an audition room is a really important thing. I think being able to own every aspect of your life is only going to make you be more comfortable in front of a table of people you don't know.
If death is in the room, it's pretty interesting. But I would also say that I'm interested in getting myself to believe that it's going to happen to me. I'm interested in it, because if you're not, you're nuts. It's really de facto what we're here to find out about.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
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