A Quote by Lorrie Moore

Once love had seemed like magic. Now it seemed like tricks. — © Lorrie Moore
Once love had seemed like magic. Now it seemed like tricks.
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
It seemed like most of the memories faded before they had time to form. And after a while, my life with my father seemed like a familiar story or a distant dream.
That initial anger she had felt turned to sadness, and now it had become something else, almost a dullness of sorts. Even though she was constantly in motion, it seemed as if nothing special ever happened to her anymore. Each day seemed exactly like the last, and she had trouble differentiating among them.
I went home and they seemed... my parents seemed normal. They didn't seem to feel like somehow they had been victims of some Nazi camp or something.
James often wondered at the chain of flukes it must have taken to bring him through with his own life and limbs intact. Once he might have believed it to be the work of Providence but it seemed to him now that to thank God for his life would be to suggest God had shrugged off all the others flicked them away like cigarette butts by the thousands and that seemed like abominable conceit. James Dorsey took no credit for being alive. His higher power these days was Chance.
Magic is like special effects live, and I love to perform, so it sounded like doing magic tricks were a good way to entertain people.
I had excellent opportunity to intoxicate myself with the solemn splendor of the brilliant church festivals. As was only natural, the abbot seemed to me, as the village priest had once seemed to my father, the highest and most desirable ideal.
What once seemed such a curse has become a blessing. All the agony that threatened to destroy my life now seems like the fertile ground for greater trust, stronger hope, and deeper love.
My favorite movies are movies from the '70s, like 'Midnight Cowboy' and 'Dog Day Afternoon' and 'One Flew Over the Cuckoo's Nest,' and to me, 'Hereditary' seemed like it fit in with those movies, and it was just horrifying. It seemed like it took the things that I love about movies and really fleshed out characters.
The bourgeois thinkers of the eighteenth century thus turned Aristotle's formula on its head: satisfactions which the Greek philosopher had identified with leisure were now transposed to the sphere of work, while tasks lacking in any financial reward were drained of all significance and left to the haphazard attentions of decadent dilettantes. It now seemed as impossible that one could be happy and unproductive as it had once seemed unlikely that one could work and be human.
I was in my early 20s when Estonia joined the E.U. For a kid who'd grown up in the Soviet Union, it seemed like my country had come of age. For a country that had been isolated and cut off from the rest of the world, it seemed like we were becoming part of the global community. It opened a whole new world of possibility.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
I do a lot of pivoting. There was one cover I did of Donald Trump, after he won Iowa, it seemed like it was over for him at the beginning of the primary process. I was given the go-ahead on it right away. I drew it and he won the next primary, and suddenly, the cover didn't make any sense. And then, after the Democratic National Convention, it seemed like he was finished, Hillary Clinton seemed to be gaining strength, so the cover ran then. So it seemed like you can come up with an idea and it can be rendered useless two days later and then all of a sudden it's relevant again.
I think, until I was 16, classical music had just seemed like a little bit of a rhythmic wasteland for me. Coming from bluegrass, where one conducts oneself rhythmically, it seemed like such a different approach, and at that point the difference that I was noticing was a real turn off to me.
Because love and hate were supposed to stand cleanly on opposite sides of the spectrum. The division seemed as clear as...well, angels and demons would once have seemed to her. Not anymore.
I write a lot of songs about love and I think that’s because to me love seems like this huge complicated thing. But it seems like every once in a while, two people get it figured out, two people get it right. And so I think the rest of us, we walk around daydreaming about what that might be like. To find that one great love, where all of a sudden everything that seemed to be so complicated, became simple. And everything that used to seem so wrong all of a sudden seemed right because you were with the person who made you feel fearless.
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