A Quote by Lorrie Moore
I do have people in mind when I write. I don't know precisely who they are, however, or how many of them there are.
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There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap. How many of these graphic novels over the years are from really talented people? Most of them actually, if you look at them, are self-pitying confessionals about "poor me".
... most people are dead, and none of them seem to mind it. One hears a great many complaints about life, doesn't one? And there are people I know who would certainly grumble -- however dead they were -- if there were anything to grumble at.
Many writers can't make a living. So to be able to teach how to write is valuable to them. But I don't really know about its value to the student. I don't mean it's useless. But I wouldn't have wanted anyone to teach me how to write.
My characters, I find them as I'm writing. It's quite incredible how fully realized they are in my mind, how many details I know about each of them.
When you are in a competition, and there's however many men competing alongside you, you do not get to determine when you go to lift... you don't know how many guys will make it to the next round. You don't know how long they're going to take.
There are so many people who come to me to be an actor, but I select only those people who I feel can fit my script. If they do, I immediately say yes. I don't do screen tests. I talk to them and see how their mind functions. I read their mind and cast them.
Think of how many religions attempt to validate themselves with prophecy. Think of how many people rely on these prophecies, however vague, however unfulfilled, to support or prop up their beliefs. Yet has there ever been a religion with the prophetic accuracy and reliability of science? ... No other human institution comes close.
People just don't know how to write down a simple easy line. It's difficult for them; it's like trying to keep a hard-on while drowning - not many can do it.
Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
People always say, 'Do you get bothered by what people say or blog or write about you?' I only do if I know them. If I know them, and I have a relationship with them and they write that, then that would surprise me a lot. Usually the people writing the negative stuff don't know me at all.
Countries like ours are full of people who have all of the material comforts they desire, yet lead lives of quiet (and at times noisy) desperation, understanding nothing but the fact that there is a hole inside them and that however much food and drink they pour into it, however many motorcars and television sets they stuff it with, however many well-balanced children and loyal friends they parade around the edges of it. . . it aches!
Do you know how some people can do anything?” “What do you mean?” “I mean, you tell them to write a tune, they give you a symphony right there. You tell them to write a book, they write you a novel in a day. You tell them to move a spoon without touching it, they move it. If they want something, they make it happen. Miracles, almost.
In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.
Many people have the heart to give back, but a lot don't know how to. I try to be the bridge for those people - whether that means getting them involved in one of my campaigns or inspiring them by showing them a blueprint of how to get others engaged.
I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.
Progo,' Meg asked. 'You memorized the names of all the stars - how many are there?' How many? Great heavens, earthling. I haven't the faintest idea.' But you said your last assignment was to memorize the names of all of them.' I did. All the stars in all the galaxies. And that's a great many.' But how many?' What difference does it make? I know their names. I don't know how many there are. It's their names that matter.
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