A Quote by Lorrie Moore
No matter that you anticipate a thing; you get so used to it as part of the future that its actuality, its arrival, its force and presence, startles you, takes you by surprise, as would a ghost suddenly appearing in the room wearing familiar perfume and boots.
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There is a future which is predictable, programmed, scheduled, foreseeable. But there is a future, l'avenir (to come) which refers to someone who comes whose arrival is totally unexpected. For me, that is the real future. That which is totally unpredictable. The Other who comes without my being able to anticipate their arrival. So if there is a real future, beyond the other known future, it is l'avenir in that it is the coming of the Other when I am completely unable to foresee their arrival.
When I first started buying shoes with my own money, I would always get them from eBay. I used to hack my mum's account, and suddenly these white cowboy leather boots would arrive.
The most important thing I can teach my kids is that you can't put your value in looks. Presence is based upon magnitude. You can pretend to have an air about you but it is quickly deflated, you cannot deflate presence. Presence walks into a room and surrounds and fills anything that's in that room without trying to demand it, it takes over. It can come from a smile. Like I said, love makes you beautiful. What is beautiful radiates.
I was very insecure. I figured the only thing I can do is just work harder than everybody else and be useful. So I would anticipate when a client would need a cup of tea. I would anticipate when they wanted to rewind the tape. I would anticipate when they were going to do a vocal.
Part of paying the price is the willingness to do whatever it takes to get the job done. It comes from a declaration that you are going to get it done no matter what it takes, no matter how long it takes, no matter what comes up.
in the presence of extraordinary actuality, consciousness takes the place of imagination.
Every time the tour guide told a story, he would build it up to the point where he'd say, "And there was Bloody Joe, and his young ghost son walked into the room." He would build it up, and then it was just "the ghost walked into the room." And he would say, "Let's move on," and that would be it. It's like, wait, what happened to the bloody ghost? That's it? We knew he was making some of it up.
Alan Rickman has a huge presence in the Perfume: The Story Of A Murderer and takes an enormous amount of space with no effort. I wanted somebody to leave behind a strong impact and be a threat for Grenouille. When Alan takes to the screen, we immediately know there's an intelligent, instinctive and powerful force, so if he's pursuing our main guy then our main guy is in trouble.
Back in my time, and I sound old now, it was black and white boots and that was it. Now you've got snoods, people wearing headphones when they are doing interviews, which I find disrespectful, pink boots, green boots, you name it they've got it, tights - they'll be wearing skirts next.
You wouldn't be caught wearing cheap perfume, would you? Then why do you want to wear cheap perfume in your conduct?
Several of them were discussing this in low tones as they waited for Halt to arrive - until they realized that he was already among them. They weren't used to this. Kings were supposed to sweep into a room majestically - not suddenly appear without anyone seeing their arrival.
The odd thing about recurring dreams is that, no matter how many times you dream the same thing, it always takes you by surprise.
It never mattered to me that people in school didn't think that country music was cool, and they made fun of me for it - though it did matter to me that I was not wearing the clothes that everybody was wearing at that moment. But at some point, I was just like, 'I like wearing sundresses and cowboy boots.'
I used to think that running an organization was equivalent to conducting a symphony orchestra. But I don't think that's quite it; it's more like jazz. There is more improvisation. Someone once wrote that the sound of surprise is jazz, and if there's any one thing that we must try to get used to in this world, it's surprise and the unexpected. Truly, we are living in world where the only thing that's constant is change.
A perfume is more than an extract it is a presence in abstraction. A perfume, for me, is a mystique.
In the early '90s, it was grunge; everybody was fully clothed. Alanis Morissette was one of the biggest artists in the world, never wore makeup, wearing Doc Marten boots, and then the Spice Girls turn up, and suddenly it all looks a bit burlesque; suddenly they're the biggest band in the world.
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