A Quote by Lorrie Moore

Sometimes I ask myself if writing novels is even respectable. — © Lorrie Moore
Sometimes I ask myself if writing novels is even respectable.
I was writing for myself, not to be published. I was writing diaries, even letters, to myself or to anyone I was angry at. Sometimes they weren't to a person, they were just to the universe - a bit like penning daydreams or isolated thoughts.
Architecture is a discipline that takes time and patience. If one spends enough years writing complex novels one might be able, someday, to construct a respectable haiku.
In modern novels I try to not let myself get away and to be here, and that's why I write about my life and myself. But even when I do that there's an element of disappearing to a place that's not me. It's "the selflessness of writing". It seldom happens, but when it does it's worth quite a lot.
I've done a lot of interviews of the last few years, and I've actually started a list of questions that it would be fun to ask an author, but no respectable interviewer would ever ask. Since I'm not respectable, I'm going to start doing interviews with some authors I know, just for fun.
Like a lot of us, sometimes I'm preaching to the choir, and sometimes my voice doesn't even get heard at all. Sometimes I think that what I'm writing now might not even have an impact for the next three or four generations. Sometimes I sit there and write, and I think, "It'll be two hundred years before they get what I'm writing about."
I don't think I could form my writing into scripts or novels. It's so sporadic. My writing's pretty poor. I often think, "Who's this for?" Sometimes it's impressions of the day or my life, or it's fiction. Sometimes it's about things I want to remember, or I try to write in really awful French.
I love research. Sometimes I think writing novels is just an excuse to allow myself this leisurely time of getting to know a period and reading its books and watching its films. I see it as a real treat.
If I really considered myself a writer, I wouldn't be writing screenplays. I'd be writing novels.
Art was always my main focus; I fell into writing by accident in the 1980s, writing magazine articles to pay for my studio. I have to put myself into the position of writing; sometimes it doesn't work, and sometimes it works great.
I do ask myself sometimes, what am I doing writing about animals that talk like we do? But I guess it's okay if it brings across a point.
I'd probably still be a financial journalist now if it weren't for writing novels. Mmm. Fun! I'm much happier writing novels!
For myself, I feel more natural writing stories or novels than writing plays. I feel more like myself, like I can express myself better, and like I have a greater clarity about what I want to do.
My first book was a historical novel. I started writing in 1974. In those days, historical novels meant ladies with swelling bosoms on the cover. Basically, it meant historical romance. It was not respectable as a genre.
I started out in life as a poet; I was only writing poetry all through my 20s. It wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels; I liked them.
I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
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