A Quote by Lotte Jacobi
I was to be a photographer and that was that. It did everything for me. I love people. I needed the camera more than ever I would have believed.
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When I was Chairman of the Joint Chiefs of Staff, I would still have junior officers brief me. Usually these people knew more about the subject we were discussing than I did. I had to make sure that they felt confident enough to tell me everything they believed.
I thought perhaps that when you told me you did not love me that my own feelings would fall away and atrophy, but they have not. They have grown every day. I love you now more desperately, this moment, than I have ever loved you before, and in an hour I will love you more than that
What some highbrows call rapport is nothing more than a mild flirtation between photographer and the girl on the other side of the camera. Some models get so professional they can send hours flirting with the camera itself while the poor photographer is reduced to the role of spectator.
This is how you can tell a real photographer: mostly, a real photographer does not say 'I wish I had my camera on me right now'. Instead a real photographer pulls out her camera and takes the photograph.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
I didn't want to be a woman photographer. That would limit me. I wanted to be a photographer who was a woman, with all the world open to my camera.
Animals give me more pleasure through the viewfinder of a camera than they ever did in the crosshairs of a gunsight.
I really enjoy behind the camera stuff and I'm a frustrated photographer myself and just love the camera. I love that side of it and that part of the filmmaking world and I enjoy developing things. It's an area that I'll continue to be more active in as time goes by.
My mom was a photographer and whenever they needed a baby for a modelling job, she'd stick me in front of the camera. That's how it started.
When I first asked to take pictures of women at their homes, I was using my formal camera and I struggled to get the shots because I was still very much in the role of the photographer. Then the next time I had this little digital camera and their response to me would be completely different - I was a friend and I got new kinds of pictures. I was always treading a line between photographer and friend.
If I believed everything everyone had ever told me about my family I'd be a sight more miserable than I am now
That's the thing about letting old lovers go. You don't stop loving some of them. There are a couple you love no less than you ever did. Not to mention namesbut I'm still in love with a couple. You're not going to try and make it work again, but if they needed you, you'd drop everything.
All this time, Lev ever realized what he needed. He did not need to be adored or pitied. He needed to be forgiven. Not by God, who is all forgiving. Not by people like Marcus and Pastor Dan, who would always stand by his side. He needed to be forgiven by an unforgiving world.
There is this idea in Hollywood, and I've seen it work for people, where the unspoken rule is 'Do two for them and one for yourself.' And that's kind of considered a fact. I've never really found that to be true for me. I've gotten more opportunities out of working on things I believed in than I ever did on things that weren't special to me.
I love you, Gabby, more than you'll ever know. You're everything I've ever wanted in a wife. You're every hope and every dream I've ever had, and you've made me happier than any man could possibly be. I don't ever want to give that up. I can't.
Some of my friends said I wouldn't have a future in football, as did some of my family, but I still believed in the potential I had. My mum would tell me I needed to get a proper job, but for me, I didn't want to be anything other than a footballer. That led to some tension and frustration between us.
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