A Quote by Lotte Verbeek

To get a sense of a person, to get their essence, it's not just about details. It is about something you can't really describe. — © Lotte Verbeek
To get a sense of a person, to get their essence, it's not just about details. It is about something you can't really describe.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
There's something that I can't describe about the city [Portland] that I really love - just physically - how it feels to walk around there, and have coffee there. Also, the way that it's a little overcast sometimes. Something about Portland just really resonated with me.
I was really fixated when I was a child. Again my mother was just talking to me about this, about how I would how try to get details exactly right. I guess I was always very persistent.
When you think about the word 'quintessentially', it's about trying to get to the very essence of something.
People get all upset about torture, but when you get right down to it, it's really a pretty good way of finding out something a person doesn't want you to know.
Black people are just constantly immature in their thinking, undisciplined, and we suffer as a people. This is not about race in the sense that black people got to get something better than whites or Latinos or Asians. This is just basically that we keep complaining about what we don't have and what we can't do, and then, when we get in positions to do stuff, we fight amongst ourselves like savages.
I don't really get that nervous about whether people like it. You can't do anything about that. It's more technical. You spend two years of your life obsessing, picturing sound details, and you work so hard to make a movie a certain way, that you get there, and you're like - is it loud enough or whatever, so that this experience with everybody in this room is the fairest chance I can get. And then if you like it, cool, and if you don't, whatever.
But nothing on this earth is guaranteed, when you get right down to it, you know ? I've been thinking about that. About how your kids aren't really YOURS, they're just these people that you try to keep an eye on, and hope you'll all grow up someday to like each other and still be in one piece. What I mean is, everything you get is really just on loan. Does that make sense?" Sure,"I said. "Like library books. Sooner or later they've all got to go back into the nightdrop.
It's not about having luck; it's about putting yourself in a position of luck. Meaning, get into a situation where you are with like-minded people who are just as passionate about something as you are, and then work really, really hard.
If you come across an insane person who's talking gibberish, you can't make any sense of it at all and that would be one way that enlightenment is different. If you read Dogen, a lot of his stuff is very strange and is coming from a different place than what we're used to, but at the same time, it's not senseless ramblings and that's part of what attracted me to Dogen. I didn't get it, but it was sane. It's not some guy raving about UFO's or Moses living in his bathtub, it's was actually something sane that I just didn't get, if that makes sense?
With Tinder and all these other things, there's always this kind of illusion with infinite choices. There's something very cool about saying, 'Oh, I actually really care about this person, and I want to commit to loving this person and being loyal to this person.' You can't get that from the kind of infinite multiple choices that are out there.
I always will tell someone, 'If you're upset about something and you don't really want to talk about it or you don't know what to do, just get up and go do something to make yourself feel better.'
I get a little myopic in the act of doing any writing. I think I'm not as interested or not as able to write about balance, because I think there's something I want to try to get at. I'm trying to get at something about the experience of growing up or about families.
You hear about quality time a lot but I really think that quantity time with a person is really what strengthens a relationship. That's when you really get to know somebody. You get to know their strengths and their weaknesses and that brings you closer. That's what 'Time Is Love' is all about.
When you get to say something in a song you're not directing it necessarily at one person. When it's in a song it's easier to get it out. I don't really worry so much about it when I'm writing a song.
When I've gone back to work, it's always with that sense of inevitability. That may be a complete delusion, but it's the one that I need to get out of bed and go about my business. That sense that I can't avoid this thing. I better just get on with it.
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