A Quote by Lou Barlow
Early on, I really liked the idea of being confrontational. I loved the idea of making songs that made people really uncomfortable.
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I really love Japan, and I liked living there very much, and there are so many terrific things about Japan. However, I do think what's amazing is that Japan really prides itself on being monoracial. It doesn't have the same kind of idea as in the U.K. or Canada or the United States, in which the idea of diversity is a strength.
I really liked the idea of focusing on one thing for, hopefully, a long time to come. I also like the idea of a consistent lifestyle, as opposed to not really knowing where on the planet you're going to be at any given moment.
'Paycheck,' I thought, was a really, really good idea. I never got an opportunity, unfortunately, to read the novel, but I loved the idea of how to deal with intellectual properties. I just don't know that we necessarily got to the heart of that particular idea. I think it became more of a chase movie than anything else.
I really like action. I really liked running around. I loved being really physical. I'm a big believer in it's okay if this job is really about entertaining people.
I liked making people laugh. I remember that specifically, being really young and having my parents being in the audience and laughing. It wasn't really a 'Oh, I'm the center of attention' feeling; it was more 'Oh, I'm making them so happy right now' feeling. I liked that.
When I moved to SF in my early 20s, I loved it, but I was absolutely astonished to discover that people there hated L.A. I was just like why? Really? I had no idea.
When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people.
I had no idea what to expect moving to New York. It's embarrassing to say, but I didn't even realize that people bought contemporary art... that people actually paid for it... I know that's really dumb. I was really naive. I had no idea artists made money.
I've always been making music, but I sort of went under the radar. I kind of disappeared... I was never really that comfortable with the music industry. I loved the idea of being able to express myself creatively - but the rest of it never really sat well with me.
It's really cathartic to play my songs live. I'm a really non-confrontational person, so my songs are kind of like all the things I never get to say to anyone.
My granddad was very funny and I really loved making people laugh. I used to do puppet shows and I really liked seeing people's reactions.
I liked animals more than people! OK, I liked certain people, but the idea of mankind'-it really irritated me!
The thing I really liked about the early 'God Of War' games was the idea that from the menu screen it felt like you went right into the game.
One of the things I've really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are. Clearly in this business you have to contend with a lot of that.
When I first thought of the idea for 'Sweet Valley High,' I loved the idea of high school as microcosm of the real world. And what I really liked was how it moved things on from 'Sleeping Beauty'-esque romance novels where the girl had to wait for the hero. This would be girl-driven, very different, I decided - and indeed it is.
My learning process has always been very idea-oriented. I never sat down with a book being like, 'OK, now I'm going to learn about transistors.' Instead I had an idea that I really liked and learned as I was trying to figure out how to build it.
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