A Quote by Lou Brock
Show me a guy who's afraid to look bad, and I'll show you a guy you can beat every time.
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I want to be one of the guys, but I also want to be 'the' guy, the guy that can go out there and they can rely on in crunch time. I'm going to be the guy that they know will show up every day, every game, every play and show up on a consistently great level.
I'm not going to do anything out my way to try to get somebody to watch me because I want to act a buffoon. I want to build a character that I want my kids to look up to. It's OK to be the bad guy when it's time to be the bad guy, but to live and be the bad guy all day, every day? It's like, 'No, come on, man, you're making us look bad.'
One of the last things that my dad and I discussed, and it sticks with me today, is that he no longer believed in the concept of Good Guy/Bad Guy. He believed in the idea that one guy is trying to beat the other. However, he would say, 'You can be a Good Guy/Bad Guy, or you can just be a star.'
The number one thing for me is diversity. I always want to ensure that people can't put me in a box. I can play a bad guy, I can play a good guy, I can play a good bad guy, I can be the host of a show, I can be serious, and I can be funny.
And that's the thing about our show: what are they going to do put on the poster? I don't know. It's always easier when you have someone like Cedric the Entertainer where you can go, "You know this guy. You love this guy. Watch his sketch show." And then people tune in and go, "I though I knew that guy. I don't love that guy in a sketch show."
Everyone likes to be the heel. Everyone wants to be the bad guy. I mean, I love being the bad guy, but the crowd doesn't want me to be a bad guy. In real life, I'm too much of a good guy to be a bad guy.
My show is not just a cop hosting a talk show - the two are completely different. My show is about helping people stand up to the bad guy.
The division needs a guy like me. It's a bunch of good guys, and I'm the only bad guy in the division. There always has to be a bad guy in every movie.
If you're out for two years, and you beat one guy with a full-time job, without disrespect, but we're talking about fighting for a world title. You can't just beat a guy that went there to cover some guy that got injured, and then this guy, after two and a half years, gets a title shot.
You can show a guy sort of peeking over the wall, you can see a guy tunneling underneath, you can see a guy going through the front door. All of those, in cyber terms, are vulnerabilities, because it's not that you have to look for one hole of a specific type. It's the whole paradigm.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
Because I went from the 'Daily Show' where I was a fake news guy on a fake news show, to 'Bruce Almighty' where I played a news guy, to 'Anchorman' where I played a news guy, now I'm... yeah, I tend to gravitate towards suits.
Because I went from the Daily Show where I was a fake news guy on a fake news show to Bruce Almighty where I played a news guy to Anchorman where I played a news guy, now I'm...yeah, I tend to gravitate towards suits.
Even a liberal city will have a prehistoric homophobe. After a show in Washington State, this guy came up to me and said, 'Your shows was a lot funnier before you started in on your agenda.' I told him, 'Please, please keep people like you from coming to my show. I'm glad you had a bad time.'
If you're playing a good guy, you show some darkness. If you're playing a dark guy, you show something different, like humor, that will mix it up and hopefully surpass the audience's expectations. What I'm battling all the time is complacency in the audience. I try to bring a little mystery to what might happen because that engages people more.
The Gong Show provided me with five years of the happiest times of my life, but that's that. And to be known as the guy who gave the world The Gong Show - listen, my Uncle George isn't known as anything. So I guess it isn't so bad in that context.
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