A Quote by Lou Doillon

It is impossible for me to get involved in films that I don't like, so I just wait for a project that really tickles my fancy. — © Lou Doillon
It is impossible for me to get involved in films that I don't like, so I just wait for a project that really tickles my fancy.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I could have signed 10 films after 'Jai Ho,' but those films would have done nothing for me. I wanted to wait for the right project.
I'm kind of impatient. I like to see things realized and not just work on a project for three years and wait, wait, wait. I try to keep myself busy.
I just love to act. I like to get away, totally play a different character, someone you can get really involved in knowing. I've gotten really involved in some characters and written down little summaries of where they live and what their families are like.
I feel so lucky and so privileged that I like writing for myself. Like, I don't have to wait for somebody to create a part for me or a project for me. I can just do it. And that's so great.
It's funny: it takes a while to really get your character. It's impossible to do it on the first day. That's the same way in films; if you start shooting a film, maybe a couple weeks in, you're like, "Ah! Now I think I really get him."
As an artist, I am here to get involved in meaningful films. But that does not mean only films like 'Arabikkadha' should be made. If you give an overdose of such films, the subject will become jaded.
I'm working on a few different films and I'm just searching for the right new story to tell. As a director, you just have to kind of like just get through the first project before starting on the next one.
Maybe it was just me shorting myself to hedge my expectations. As a fan, I was excited about the project. If you look at the body of work for the people involved, I was excited about the project, but I didn't really know. There were people saying, "I think we're going to be part of something huge."
I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."
So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.
Someone said to me the other day, 'Oh, you're really jhujhi.' What does that mean? Fancy? Fabulous? Some people think I can only do fancy, I don't know why. I'm a pretty easy person really. Low maintenance. I get on with things and I'm comfortable anywhere.
I fancy all the Disney princes, obviously. I also fancy some objects and animals that are in Disney films, like the French Candlestick from 'Beauty and the Beast,' and I used to be slightly jealous of the feather duster that he used to slightly get off with.
I really can't get involved with any project that I don't feel a hundred percent I can stand behind.
It would probably be better if I got involved in fewer things just because I'd have more time to write for my own purposes... But if somebody calls you up with a really cool project, it's hard to just say 'no' because you don't feel like working.
I like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.
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