A Quote by Lou Doillon

'Blanche' opened a new door for me without really making me more famous. 'Blanche' was a risk, but that is the only thing that excites me in this profession. The knowledge that I am an actress who takes risks lifts my soul.
The thing is doing it, that's what it's all about. Not in the results of it. After all what is a risk? It's a risk not to take risks. Otherwise, you can go stale and repeat yourself. I don't feel like a person who takes risks. Yet there's something within me that must provoke controversy because I find it wherever I go. Anybody who cares about what he does takes risks.
In my teens or twenties I wanted to do Blanche. Now I'm over that. Those roles are not attracting me now. Which is odd, because that's what most every actress would want to go do.
The thing that makes me feel young, honestly, is making television. It's the only thing that excites me, the way that you get excited when you're a kid. That's why I still do it.
I have taken every amount of creative liberty and freedom that I can get and I've actually managed to push it. I would say being the champion gives me that freedom because you really get a little more carte blanche.
Never give an artist like me carte blanche: he would think it's simply toilet paper.
I'm not a huge risk taker. I think that, for me, I take certain kinds of risks, but if you look at me, you wouldn't say I was a big risk taker. I'm not going to jump out of an airplane and parachute and things like that. That's not really me.
If you give me carte blanche for any destruction and any revolutionary transformations, if that is what you want, then for God's sake, we will do it. The issue is not me: the issue is society.
I wasn't going off to New York to be more famous than my father, but in retrospect, that certainly was driving me. He was famous in Philadelphia, but it was also really important to him to be famous. And to a certain extent, I got some of that, even though there were parts of it that horrified me.
'Streetcar' is no longer about the moment at all. There is no Blanche DuBois anywhere; south, north, east or west. We don't have Blanche DuBois at the moment. But we have Willy Loman; everywhere we look we see Willy Loman. We are Willy Loman. We're on Facebook; we need to be known; we're selling all the time.
I often wonder what my life would be like without the use of a library. Throughout my education and career, public and private libraries have been not only the key to much of the knowledge I have acquired, but also have given me a direction within my profession. The best thing about the library is that it is available not only to me, but to everyone. It does not discriminate.
I cannot live without art: it excites me, it challenges me, and it leads me to the next thing.
My whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door.
Gracie: "Don't give up, Blanche. Women don't do that. Look at Betsy Ross, Martha Washington-they didn't give up. Look at Nina Jones." Blanche Morton: "Nina Jones?" Gracie: "I've never heard of her either, because she gave up."
Growing up with a famous father, and one who mastered his craft, it's one of those things where, do you really want to be in the same profession? I can't imagine the pressure on, say, Michael Jordan's kids. But for me, I think it's molded me into the character that I am today.
Good things don't happen by coincidence. Every dream carries with it certain risks, especially the risk of failure. But I am not stopped by risks. Supposed a great person takes the risk and fails. Then the person must try again. You cannot fail forever. If you try ten times, you have a better chance of making it on the eleventh try than if you didn't try at all.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
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