A Quote by Lou Reed
Caroline says as she gets up from the floor, you can hit me all you want to, but I don't love you anymore.
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I have women coming up to me and saying: 'I love your character! She's so empowered. She takes control; she gets what she wants.' That's another side of her. And I respect that in Joan. She says and does things that I would never allow myself to do.
Now my grandmother, who used to want sons, says that she does not really want boys anymore. She says I'm the lion of the family.
Love says, mine. Love says, I could eat you up. Love says, stay as you are, be my own private thing, don't you dare have ideas I don't share. Love has just got to gobble the other, bones and all, crunch. I don't want to do that. I sure don't want it done to me!
I pu my finger to her lips. "You have to hush a minute so that I can tell you something." "What?" she says, bites my finger. I look at her. "I love you." She gets quiet, the kind of quiet that sinks into her, softens her. "Well that works out," she finally says, her voice deeper and breathless, her eyes moist, "because I love you too." She turns, leans against my arm, and settles into me.
But how he acts, and what he says, and what he does, and who he is, they don't line up anymore, and the lie is in that not lining up, the lie is in not being what she needs but pretending that he is. No one says a word, and she sees it every minute they have together.
I'm not gonna lie, I love Usain Bolt and Serena Williams. What I love about Serena is that she just gets on the floor and she dominates. She handles her business very well, I respect that.
I wake up with new dreams every day. So the more I can do to channel that into things that I love to create is healthier for me and probably for everybody around me. And the older I get, the earlier I get up. The second my feet hit the floor, I'm awake. I'm like hurry, hurry. I just love life. And I feel like we ain't got but a certain amount of time anyway. I want to make the most of all of it.
If you look at Caterpillar now [in Japan] with what's going on. [Shinz?] Abe is a great leader. Who is our chief negotiator? Essentially it is Caroline Kennedy. I mean give me a break. She doesn't even know she's alive. It's Caroline Kennedy. So Caterpillar is having a hard time selling because Komatsu is under-cutting them.
She comes to me when she wants to be fed. And after I feed her -- guess what -- she's off to wherever she wants to be in the house, until the next time she gets hungry. She's smart enough to know she can't feed herself. She's actually a very smart cat. She gets loved. She gets adoration. She gets petted. She gets fed. And she doesn't have to do anything for it, which is why I say this cat's taught me more about women, than anything my whole life.
When Sania Mirza says she feels hurt or fed up at constantly grabbing the headlines for the wrong reasons, it's an understandable reaction. But when she goes ahead to say she doesn't want to play in India anymore, we can't help thinking it's the sort of thing you'd expect a defeatist to say.
When Caroline Walker fell in love with Julian English she was a little tired of him. That was in the summer of 1926, one of the most unimportant years in the history of the United States, and the year in which Caroline Walker was sure her life had reached a pinnacle of uselessness.
The clothes I wear... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.'
My mother says men are different from us. She says we want to be in love, but only with the one we want; a man needs to be in love, but he will love the first woman to tie a string to his heart. - Egwene, speaking to Elayne
At first, when I hit 300 pounds, my wife actually brought that up. She said, 'You do realize you can't walk around like this if you want to train or fight. It doesn't look like you want to fight anymore. Do you want to fight?' That called into question my own reality.
As soon as she hit the door we start blastin', I saw her brains hit the floor, raw laughin'.
Derek lunged. He hit me in the shoulder and knocked me to the floor, landing on top of me. His body jerked, like he'd been hit with the spell, and I let out a yelp, struggling to get up, but he held me down, whispering "I'm okay, it's okay" until the words penetrated.
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