A Quote by Lou Reed
Music should come crashing out of your speakers and grab you, and the lyrics should challenge whatever preconceived notions that listener has.
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Vinyl, CDs or laptops, it doesn't matter - you should use whatever
you're comfortable with. If you're on the dancefloor and there's
good music coming out of the speakers, that should be enough. If
you're standing there storing your chin going: 'This would sound
better if it was on vinyl', yes it might do, but at the end of the
day, people want to go to a party.
My music demands something of the listener, it is demanding music. I think that's a good thing. I'm not chiselling anything in stone or serving you any truths. Even to native Norwegian speakers, my lyrics are veiled. I'm asking questions.
Music should be demanding for the listener. You can gain more out of it that way. I always try to leave space in the music for the listener to have their own experience of it, so it's not bombarded with only one meaning.
The challenges change depending on the song. There are some songs where the lyrics are really a challenge and then there are other songs where the lyrics are there and the music is a challenge. And then you've got rock songs where the challenge is the tightness of the arrangement with the band. The music and the lyrics are there, but it's a challenge to get the arrangement correct. So I wouldn't be able to point to one thing. What the challenge is changes all of the time.
I like to think I keep my mind open. When I walk the streets I don't look for anything in particular. I come from a philosophy that believes you shouldn't have preconceived notions - that you don't need a gimmick. That you should just photograph what you react to - what you see.
Being called 'conscious' is a great thing to be, but it's the connotations and preconceived notions that come with the buying audience about what conscious music can be.
Even fake news tries to convince us of its reality, but it does so mostly by appealing to your preconceived notions, your shared biases, or your prejudice. How to do the opposite? To create a sense of the real and then challenge your biases. I think that is my favourite aspect of writing, and that is what I've tried to do in 'The Lovers.'
I think music should be free. I think all communication should be free. I think people should respect artists, and there should be a certain respect for artists who give their music away for free. If your music winds up on Napster and you approve of it, then the person downloading your music should at least go to your concert, should at least purchase your songs.
Lying in the political sphere has gotten out of hand, and because people tend to dismiss things that challenge their preconceived notions of the world, fact checkers can only play a small part in remedying the problem.
We never get upset over what happens. Never. We get upset because of preconceived ideas as to what we think should happen, what we want to happen. When our preference clashes with the reality, we get hurt. Rid yourself of all preconceived ideas as to what should happen. You are then at peace whatever happens.
The early years when I was starting, blues player, you wasn't always welcome in a lot of the other places. People usually have preconceived ideas about blues music. They always feel that it's depressing and that it's just something that a guy sit out on a stool, grab a guitar, and just start singing or mumbling or whatever.
We're thinking about printing the lyrics with the next record so that people can find their own meaning in them. But then they would start having a life of their own, and I think the Portishead music should stay a whole in which the lyrics come second, actually.
Music should come from the heart. It should happen. That should be automatic, and if you labour on creating music, it will not have soul.
I'm not thinking about what needs to be on the radio. I'm not thinking about anything other than - I'm just going to let this music come out of me and not have any sort of preconceived notion of what I should do. I'm just going to do it.
I think the whole response to our art being so positive is that it rings true and it feels a unique thing and I feel that was the thing that we strive for in the beginning was to not conform to any preconceived notions of what we should be doing.
We have no right to judge where we should be put, or to have preconceived notions as to what God is fitting us for. God engineers everything; wherever He puts us, our one great aim is to pour out a whole-hearted devotion to Him in that particular work. 'Whatsoever thy hand findeth to do, do it with thy might.'
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