A Quote by Lou Thesz

The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.
The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
What is appealing is the idea of attaining the unattainable and learning from it. Once you obtain a fantasy it becomes a reality, and that reality is not as exciting as your fantasy. Through the fantasies you learn to appreciate your own realities.
We talked [with Scott Derrickson] about making it kind of muscular and practical. Yeah it's a fantasy but what's the difference between fantasy and reality really?
All entertainment is an element of fantasy because you are seeing something that is not quite real. There is no such thing as reality TV. Reality TV would be to leave a camera on in front of someone's house. Just leave it on. Then whenever the person comes or goes walking the dog or getting groceries, that's what it would be like. Any time you make an edit, you've lost reality TV. You're either compressing time or extending. That's a term that's been overused and overexposed. I think it's fantasy movies that take the fantasy of movies even further.
Reality and fantasy, we need both of those to survive. If we don't have fantasy, dreams and all of those things, what's the point of carrying on? And you need to watch out for reality because buses come.
There are lots of imposters in this earth, and to very first there always comes a second, to every reality there always come a fantasy, and the fantasy wants to come and live the life of the reality
All of the problems we're facing with debt are manmade problems. We created them. It's called fantasy economics. Fantasy economics only works in a fantasy world. It doesn't work in reality.
... my father loved to take photographs of me. When I was nine I made my own costumes for a school play and I experienced becoming different characters. I loved to document myself as different images and I think my work evolved after this favorite activity. The photographs I exhibited in New York juxtaposed reality and fantasy. There was everyday life and fantasy was dismantling that reality.
Fantasy is like an idealized reality, and the core of fantasy is the one person can make a difference.
Why are you messing with the fantasy? We know about the reality. Don't ruin the fantasy, OK?
See fantasy is what people want, but reality is what they need. And I just retired from the fantasy part.
Tonight, I've finally learned to tell fantasy from reality. And, knowing the difference, I choose fantasy.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end.
I get so tired of people saying, 'Oh, you only make fantasy films and this and that', and I'm like, 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work.
Fantasy Man's my favourite, I think, because he's sort of like Don Quixote. He lives in a fantasy world, but he gets jolted back into reality, and I guess that's me, really!
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