A Quote by Lou Williams
I think my assist numbers dropped off in Toronto with the way we were built. We played a lot of isolation basketball. I know we were in the bottom half in the NBA as far as assists go.
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I think in Toronto my job was to score just based on the system that we had. We played a lot of iso basketball - a lot of one-on-one basketball.
Making Superman was so hard. We were a year over schedule. We were there a year and a half, the first time. And in a year and a half, you go through everything you go through in a life. So you can't really go, "Oh, it must have been fun to work with Chris Reeve." In a year and a half, you bonded like a family, so you know someone far too well to think something as simplistic as "Oh, it's just fun." You know their secrets. I mean, it was everything. It was truly - it's a cliché to say we were family, but we really were.
All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.
I know people that was playing basketball better than me. If they were in the NBA, they could be All-Stars, those people. They just never had the opportunity to go play professional basketball in Europe.
Sanctions kept us on our toes, it made us realize that we were drifting into a situation of growing isolation so I wouldn't go as far as to say sanctions didn't play a role but if I were to put on a scale, the issues of conscience played a much greater role than the sanctions. We could have withstood sanctions for many more years. We became experts in circumventing sanctions... So sanctions played a role but it wasn't the major role.
When 'Blue Collar TV' was on the 'WB,' we were their second-highest rated show, but they didn't know what to do with us. They had 'Reba,' which was number one, and we were number two, and they didn't want to be known as the hayseed network, so they kind of dropped us, even though we were pulling great numbers.
I think initially, our audiences were filled with young men. You know, our initial audience was a lot of young guys who I think were trying to - who you played a bit of a big brother role for and were trying to sort out a lot of the same things right - soon as "Born To Run" hit, you know? So it was something that I worked pretty hard on.
Small Faces were really a soul band as far as we were concerned. That's what we listened to; that's what we played, you know? We were pretty much based on Booker T. and the M.G.'s.
You always have to know what business you are in. Everybody thought we were in the basketball business. It's an NBA-team; we are not in the basketball business. We are in the business of creating experiences and memories.
When I first came in the NBA League you were slotted into a position and you did what you were slotted to do and there wasn't much room to expand your role. Today's game with the offensive schemes and the defensive schemes, it really allows to have a lot more creativity as a basketball player.
Mark Jackson played 19, 20 years in the NBA. Shouldn't even have probably been in the league, and he's the third-ranked assist guy in the NBA. But you describe his game: Can he jump? No, not really. How's his outside shot? Eh, it's inconsistent. Can he defend? Nah, he can't stay in front of guys. And he played 19 years!
If you were a nerd computer geek in 1982, the amount of isolation you felt - at least what I experienced, or the kids I knew, the isolation they felt - was almost total. They were not part of society; no one thought they were cool.
In high school, my dream was to go to the NBA. But when recruiting came around, the letters for football compared to basketball were like 25 to one, and my one wasn't from Duke.
I was like a clock that had exploded- my springs were hanging out, my hands were cockeyed, and my numbers were falling off.
In Puerto Rico, I played in all kinds of bands that played salsa and merengue. That's how I saved the money to come to the U.S. We used to play El Gran Combo tunes. Half the band was my friends - we were around 15 - and the other half was my friend's father and his friends from the hospital where he worked. They were all, like, 50.
The Nehru years were rather very peaceful years. A lot happened in those years: dams were built, five-year plans were made, Chandigarh was built in front of my eyes. Those were the years I grew up in.
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