A Quote by Loudon Wainwright III
When a parent dies, the whole house of cards comes down.
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Scripts are a house of cards and you can't just reach in the middle and pull out the middle card because the house of cards will fall down. But at a certain point you almost have to allow that house of cards to get knocked down a few times because you need to make it sturdier. How many times do you hear, "No, that doesn't make sense," or "Why would this happen?" That was a mistake. You shouldn't have those moments, because the moment you're knocked out of the story, then you're dead. And all you can go is moment to moment,or joke to joke. And that's gonna wear people out.
What's the most critical factor in any business decision you'll ever have to make? Basically, it boils down to this question: If this all crashes, will it bring the whole house tumbling down like a pack of cards? One business matra remains embedded in my brain - protect the downside.
To a father, when a child dies, the future dies; to a child when a parent dies, the past dies.
Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
You have to be able to carry a conversation. I think after the initial attraction kind of dies down. The lust dies down. There has to be the thing that engages you.
One of the cool things, obviously there's 'Scandal,' 'House of Cards,' there was 'West Wing.' Other than that Jack Lemmon/James Garner movie about ex-presidents, no one's ever done anything in this area, whereas a lot of times, we do a story where someone goes, "Oh, yeah, they did someone sleeping with a Secret Service agent on 'House of Cards.'"
I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
Once thing goes wrong, then the whole house of cards collapses. And there's no way you can extricate yourself. Until someone comes along to drag you out.
Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.
You're a kid, your whole life is awesome. It's awesome, right? You had no money, no ID, no cell phone, no nothing, no keys to the house. You just ran outside into the woods. You weren't
scared of nothing. I challenge you to do that as an adult. All your IDs, all your credit cards - just run out of the house with no phone, turn the corner where you can't see your house, and
not have a full on panic attack.
If my house was on fire, I can't compromise about which part of the house I'm going to save. You save the whole house or it will all burn down. We either save this country or we do not.
Writer Somerset Maugham, after his parents deaths, spent a few stultifying years in his uncle's vicarage. Later, in his teens at a boarding-school, having lost his belief in the existence of God said: "The whole horrible structure, based not on the love of God, but on the fear of hell, tumbled down like a house of cards."
I love storms and how the whole house shakes. When I was a kid, there would be lots of thunder and lightning storms, and they would knock the electricity out. We had this oil lantern that had been in my grandfather's homestead at the turn of the century, before there even was electricity. He'd bring it down off the top shelf, and we'd always play cards.
My parent's house, to be honest, is like a snail's disco. It's a fine house but my parents are very eccentric. Also that house might be built on an Ancient Egyptian burial ground or something, because the plague of insects that hit that house as we were growing up.
When a man dies, he does not just die of the disease he has: he dies of his whole life.
Remove the predators, and the whole ecosystem begins to crash like a house of cards. As the sharks disappear, the predator-prey balance dramatically shifts, and the health of our oceans declines.
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