A Quote by Louie Bellson

Tommy Dorsey would walk up to you if you had a tuxedo on and make sure you didn't have on white socks. — © Louie Bellson
Tommy Dorsey would walk up to you if you had a tuxedo on and make sure you didn't have on white socks.
I was growing up at a time when music was growing and changing so fast. I had learned all the big band sounds of the 1940s, Glenn Miller, Tommy Dorsey. But then along came Chuck Berry, Les Paul, Fats Domino and I figured out how to make their music as well.
When I was 7, I came up with the idea of 'charm socks.' My mom would take me to buy bags of plastic charms, we would sew them on frilly white socks, and I sold them at school.
I joined Tommy Dorsey at the Paramount Theater in New York as a singer. I replaced Frank Sinatra.
What our generation failed to learn was the nobility of work. An honest day's labor. The worthiness of the man in the white socks who would pull out a picture of his grandkids from his wallet. For us, the factory would never do. And turning away from our birthright - our grandfather in the white socks - is the thing that ruined us.
My greatest teacher was not a vocal coach, not the work of other singers, but the way Tommy Dorsey breathed and phrased on the trombone.
We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands.
As many times as [HIV] changes its clothes, it's still wearing the same socks, and now our job is to make sure we get the body to really hate those socks.
We only had white socks in Romania. But when I used to come back from the States, I used to bring back pink and yellow socks with all kind of designs, and hair clips and elastic bands for the ponytail that had colourful designs.
When I studied computer science at Duke University in the first half of the 1980s, I had professors who treated women differently than men. I kind of got used to it. At Microsoft, I had to use my elbows and make sure I spoke up at the table, but it was an incredibly meritocratic place. Outside, in the industry, I would feel the sexism. I'd walk into a room and until I proved my worth, everyone would assume that the guy presenting with me had credibility and I didn't.
Part of my preparation is I go and ask the kit man what colour we're wearing - if it's red top, white shorts, white socks or black socks. Then I lie in bed the night before the game and visualise myself scoring goals or doing well.
Make sure that when you're going out, you wear socks, because I've been seeing some people coming out with no socks and that. You know, your toes looking like Cheetos. We don't need all of that.
I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.
I would always hunch over, I was always taller than the boys. I had the extremely skinny legs... I would double up my socks, those ones from Footlocker, to make my legs look thicker.
I was so dorky up until I was about 14 or 15 and started to get a little bit cooler, but I was a socks and sandals girl. I would wear big frilly socks with sandals and all the kids would tease me.
For a lifetime I had bathed with becoming regularity, and thought the world would come to an end unless I changed my socks every day. But in Africa I sometimes went without a bath for two months, and I went two weeks at a time without even changing my socks. Oddly enough, it didn't seem to make much difference.
I think white socks are best with dope kicks, gives a nice clean look to match. Printed socks are okay but sometimes too much.
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