A Quote by Louis Aragon

Photography intervenes in a very strange way. It makes the streets, gates, squares of the city into illustrations of a trashy novel, draws off the banal obviousness of this ancient architecture to inject it with the most pristine intensity.
Ask yourself whether our language is complete--whether it was so before the symbolism of chemistry and the notation of the infinitesimal calculus were incorporated in it; for these are, so to speak, suburbs of our language. (And how many houses or streets does it take before a town begins to be a town?) Our language can be seen as an ancient city: a maze of little streets and squares, of old and new houses, and of houses with additions from various periods; and this surrounded by a multitude of new boroughs with straight regular streets and uniform houses.
Seattle is beautiful. You look at the sky and it's one of the most beautiful skies in the world, and then there's the Puget Sound, which will kill you, if you fall into it, but it's also beautiful. Seattle is a city of contradictions. It's the most liberal and most literate city in America, and it has Starbucks and [Bill] Gates, but it's also where the Green River killer hunted women and where the runaway population is just shocking when you walk the streets. Within the same city, there's darkness and light.
I love walking along Leiths waterfront and wandering around some of New Towns beautiful streets and squares, with their gorgeous Georgian architecture.
I love walking along Leith's waterfront and wandering around some of New Town's beautiful streets and squares, with their gorgeous Georgian architecture.
A tranquil city of good laws, fine architecture, and clean streets is like a classroom of obedient dullards, or a field of gelded bulls - whereas a city of anarchy is a city of promise.
My interest in architecture has always been sculptural. Most of my photography is of architecture.
My interest in architecture has always been sculptural. Most of my photography is of architecture
At least half of every city is wrong. From latitude 30 degrees to latitude 60, say, you've got to have the long axis of the house facing the sun. If the land is cut up into squares, that makes half of all houses wrong if they face the road. Even houses way in the country, and way off the road, face the bloody road. And from there, you just go wronger all the way.
The story, it's really important to The Ancient One that Doctor Strange does cut it because The Ancient One needs a successor, or certainly needs - you could say - a son. So The Ancient One is really invested in Doctor Strange, it's a very kind of primal relationship.
And New York is the most beautiful city in the world? It is not far from it. No urban night is like the night there... Squares after squares of flame, set up and cut into the aether. Here is our poetry, for we have pulled down the stars to our will.
Everything is groomed in Palm Beach...the lawns, the streets, and the shops are all pristine, particularly those on world-famous Worth Avenue, one of the most fabulous shopping streets in the universe, with outposts of Gucci, Chanel, Valentino, and Louis Vuitton enticing residents and visitors.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
People magazine with a bag of sour cream and onion chips always makes be feel a bit trashy. But good trashy.
I collect art on a very modest scale. Most of what I have is photography because I just love it and it makes me happy and it looks good in my home. I also have a pretty big collection of art books mainly, again, on photography. A lot of photography monographs, which is great because with photography, the art itself can be reproduced quite well in book form.
As much as we - in a revisionist way - tell ourselves that we've always been a righteous country with a couple of swerves off the path, we need to look back and see that we've always also been a racist country and have had a tendency towards banal aggressiveness. The thing that's alarming is not so much that a few people in America at the top are initiating these crazy policies, but that the middle is willing to go there too. There's a strange movement of the middle to this position of banal aggressiveness.
Photography's relationship with pornography is as old as photography. That kind of unholy relationship is formed from the very beginning, and there's a reason why: it's thoroughly enjoyable to be that voyeuristic. Voyeurism is a very old modality, and most of the history of photography is in some way related voyeurism.
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