A Quote by Louis Armstrong

A lotta cats copy the Mona Lisa, but people still line up to see the original. — © Louis Armstrong
A lotta cats copy the Mona Lisa, but people still line up to see the original.
We look at the Mona Lisa and say we're going to do our version of the Mona Lisa. We mirror it. But exaptation would say that painting the Mona Lisa would lead to a whole new place... Bugs Bunny.
It is not enough to deface the Mona Lisa because that does not kill the Mona Lisa. All art of the past must be destroyed.
You know, people call mystery novels or thrillers 'puzzles.' I never understood that, because when I buy a puzzle, I already know what it is. It's on the box. And even if I don't, if it's a 5,000-piece puzzle of the 'Mona Lisa', it's not like I put the last piece in and go, 'I had no idea it's the 'Mona Lisa'!'
The Mona Lisa, to me, is the greatest emotional painting ever done. The way the smile flickers makes it a work of both art and science, because Leonardo understood optics, and the muscles of the lips, and how light strikes the eye - all of it goes into making the Mona Lisa's smile so mysterious and elusive.
I used to always sing my way into the movies and the basketball games or whatever. I'd sing for whoever's on the door, and they'd let me in. I used to think I was Nat King Cole back in the day, you know. So I'd sing something like, 'Mona Lisa, Mona Lisa, men have named you,' and they'd let me in.
What I am trying to say is that it is not without any value. The value of copies is that they can direct us towards the original. I was recently at the Louvre Museum and I was filming people who were viewing the Mona Lisa. I noticed the number of ordinary people, astonished, mouths agape, standing still for long stretches looking at the work, and I wondered, "Where does this come from? Are these people all art connoisseurs?" They are like me; through the years, we've seen this work in our schoolbooks or art history books, but when we stand before the original, we hold our breath.
For all cats have this particularity, each and every one, from the meanest alley sneaker to the proudest, whitest she that ever graced a pontiff's pillow — we have our smiles, as it were, painted on. Those small, cool, quite Mona Lisa smiles that smile we must, no matter whether it's been fun or it's been not. So all cats have a politician's air; we smile and smile and so they think we're villains
Even if you can't afford to buy a painting, you can experience it. You can go see the Mona Lisa and be transported. You can see the discipline and suffering in a van Gogh.
When you make a lotta money, you got a lotta people shooting at you. Anywhere you go, the tab goes up. People borrow stuff from you, you don't see it again - they figure, Hell, Moses ain't gonna miss it, why do I have to return it?
Did you ever see that painting the Mona Lisa. It always reminds me of a reporter listening to a politician.
Everybody can draw, in my estimation. If you give a man 50 years, he'll come up with the Mona Lisa.
I was sick of people making fun of my hair and so I cut it off and I've got much more attention than ever before. It was like when Mona Lisa was stolen from the Louvre in 1906 - three times more people came to see where it used to be.
Sometimes I'm kind of cranky coming to see something. I saw the Mona Lisa when it was in L.A., saw it for 13 seconds and had to move on.
You should definitely visit the Louvre, a world-famous art museum where you can view, at close range, the backs of thousands of other tourists trying to see the Mona Lisa.
With all due respect, the Mona Lisa is overrated.
Hey, even the Mona Lisa is falling apart.
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