A Quote by Louis Armstrong

A lot of the musicians asked me if when I hit my high-Cs on the records I had a clarinet take the notes. Some [thought] I had invented some kind of gadget so I could play high register. They weren't satisfied until they handed me a trumpet that they had with them and had me swing it. Then they cheered.
When Tiger was 6 months old, he would sit in our garage, watching me hit balls into a net. He had been assimilating his golf swing. When he got out of the high chair, he had a golf swing.
I had a lot of older musicians looking out for me, teaching me, and showing me things when they saw how interested I was in music from a young age. They would take me to the side and just play some things in my ear, and I would try to play it back to them.
At some point, I had to ignore what people thought of me. I had to be my own biggest fan from an early age. Once I learned that, it was like a superpower. That was the armor that got me through high school.
By the latter part of high school, by the middle of junior year in high school, Jay Rodriguez played me some Irakere records that that Paquito [D'Rivera] was on. And he also played me and our friend, Curtis Haywood, some Phil Woods records. And when I heard Phil, I just about lost my mind. I was playing the Charlie Parker Omnibook as part of my lessons. This was the '80s. There was no YouTube and all that. And we had three or four jazz records at that point.
I ended up dropping out of high school. I'm a high school dropout, which I'm not proud to say, ... I had some teachers that I still think of fondly and were amazing to me. But I had other teachers who said, 'You know what? This dream of yours is a hobby. When are you going to give it up?' I had teachers who I could tell didn't want to be there. And I just couldn't get inspired by someone who didn't want to be there
A screenwriter heard me read from my novel 'The Wishbones' when it was still in progress and mentioned me to some producers in Hollywood. They called, and I told them I had a novel in my drawer about a high school election that goes haywire. They asked to take a look, and my life changed pretty dramatically as a result.
The Small Faces are thought to be a one-hit wonder in America because we only had 'Itchycoo Park.' Then the Faces just had 'Stay with Me.' So both bands could be considered one-hit wonders in America, even though we had several huge hits in England.
I was lucky that I had parents that had had supernatural experiences, so I could talk to them openly without them looking at me as some lunatic.
Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.
I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.
When I was in high school, I had already kind of been working in the industry and had done a couple of acting jobs. There were definitely some girls that were either jealous or thought I was a snob. I was just trying to be a teenage girl and go to high school and have fun like everybody else!
A girl had bidden me eat and drink and sleep, and had shown me friendship and had laughed at me and had called me a silly little boy. And this wonderful friend had talked to me of the saints and shown me that even when I had outdone myself in absurdity I was not alone.
Why did Mother ask you to help me rescue Gelsi?" I asked Leif. "She thought I could assist you in some way. Instead, I had tried to-" "Kill me? You can join the 'I Want to Kill Yelena Guild.' I hear they have six members in good standing. Valek is president since he had wanted to kill me twice." --Yelena to Leif
I started on the clarinet. I was going to a music school - my mother took me - and the guy said, 'What do you want to play?' I said the drums, and my mother said, 'No, you don't. You don't want to play the drums.' So I said, 'Maybe the trumpet would be cool.' And my mother said, 'I don't think so.' And then the clarinet was handed to me.
For me, the ages between 9 and 12 were great because it was before you wore any masks, and you had some autonomy in the world. You had some freedom, and you felt you had unlimited ambition. It's when you thought, 'I'm going to write plays. I'm going to be president. I'm going to do this; I'm going to do that.' And then it all falls apart.
Growing up in Highland Park, in high school, I had some very influential teachers: I had a math teacher who taught calculus that helped me learn to be in love with mathematics; I had a chemistry teacher who inspired us to work what was in the class and to go beyond.
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