A Quote by Louis Armstrong

Musicians don't retire; they stop when there's no more music in them. — © Louis Armstrong
Musicians don't retire; they stop when there's no more music in them.
I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix.
Retire? Not on your life. I have no plans to stop singing. What are you going to do when you love music? It's a terrible disease. You can't stop. Of course, I'd like to get off the road.
There are any number of models artists can use to profit off of their talent and artistry. It is not up to the state to protect them from competition. Musicians can obviously get paid for performing and having their music copied and "pirated" helps them in this respect by making them more well known, more popular.
I think there are basically two kinds of musicians: some are extroverted and some are introverted. I think extroverted musicians are more in the entertainer kind of camp, which is just as valid, but you're going to be more apt to make music that is of the moment - whereas if you're coming from a more introverted place, the music is going to end up being more about the past or more personal. It's not going to be about the people in the room, per se.
That's for non-musicians to say: "I only listen to this or that type of music." I think musicians love all music, or at least that's my case.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around.
I started the label Tzadik to support an entire community of musicians, not just Jewish musicians. But the radical Jewish culture movement was begun in a lot of ways because I wanted to take the idea that Jewish music equals 'klezmer' and expand it to, 'Well, Jewish music could be a lot more than that.'
Usually people think that it is the musicians who create the music, but in fact it is music who creates the musicians.
Some musicians make and record music; other musicians play in a band... I just make and record music, and I don't feel a part of anything in any music business.
Blues musicians don't retire. They drop.
Musicians own music because music owns them.
What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
I keep going because if you stop, you stop. Why retire? Inspire.
As far as artists and musicians, they don't retire. They might tour less.
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