A Quote by Louis Bayard

Here was the thing about traveling down an uncharted river: You could only say how long you'd been traveling; you could never say how long it would be. — © Louis Bayard
Here was the thing about traveling down an uncharted river: You could only say how long you'd been traveling; you could never say how long it would be.
When people ask us how long does it take for something to manifest, we say, It takes as long as it takes you to release the RESISTANCE. Could be 30 years, could be 40 years, could be 50 years, could be a week. Could be tomorrow afternoon.
How long do we have to deal with conservative failure? How long? Thirty years is not enough? So I would say enough with that, and I would say check out the Center for American Progress, and the writings by Patrick Garofalo, economic guru. That's what I would say.
I was born and raised in Orlando, where the economy and culture has been powerfully shaped by tourism, and so I've long been interested in how we narrate the places we visit, how the gap between what we see and what we know manifests when we're traveling.
I would never say anything's over forever. How could you possibly know how you feel? How could you shut the door on anything?
That enforced time when you have to switch off, that you're on a plane, is so unusual these days. It's just that thing of not being able to interact with other people through e-mails or social media or whatever. It's crazy how you even notice that you're not able to do that. I find that the kind of traveling - long days, particularly if you go somewhere to do a show, and then traveling again the next day - a lot of people would find pretty challenging, but I find it energizing in a weird way.
No one could say how long that life would last. Whatever has form can disappear in an instant.
Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
People always have something to say about how long is too long or not long enough to breastfeed. I think this is such a personal decision that it can only be made between each baby and his or her mommy.
I remember when I was in graduate school and someone in workshop would say, 'I'm going to bring in a chapter of my novel.' The thought that someone could think they'd write a whole long thing... I could only see twelve pages ahead. But then I realized that if you could see twelve more after that, you can start.
Peeta, how come I never know when you're having a nightmare?” I say. “I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says. “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down. “It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.
When you are traveling in vaudeville, you experience so many different kinds of audiences, depending on what time of the week it is, how long the pubs have been open, and things like that.
I love tour, but I don't like traveling at night or driving long hours. But I love touring. If my kids could be out there full time, I'd probably never go home.
I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.
There was a time when I could walk down the street, Hollywood Boulevard or Beverly Drive, and somebody would come up to you and they would say, "Excuse me," and you'd barely hear them, and you'd turn around and you'd say, "Yeah, how you doing?" and they'd say, "I'm really sorry to bother you, but my aunt is a big fan of yours, and would you mind terribly if you'd just sign this paper," or whatever it is, and you're happy to do that, and the people are pretty nice about it.
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