Comedians and Feminists... are natural enemies, because stereotypically-speaking, feminists can't take a joke and... comedians can't take criticism.
A joke is a joke, and people put too much meaning behind it. They react to it in the wrong way. I mean, you can boo or laugh, and that's pretty much what you're supposed to do with jokes. You're not supposed to take it any further than that.
The real joke that history played on American women is not the one that makes people snigger, with cheap Freudian sophistication, at the dead feminists. It is the joke that Freudian thought played on living women, twisting the memory of the feminists into the man-eating phantom of the feminine mystique, shriveling the very wish to be more than just a wife and mother.
If you want to boo, I want you to boo me as loud as you can, because I think that's a sign of respect: You don't boo the bad players; you boo the really good ones.
The words are the words. Seriously. Meaning you don't have boo-boo words. You can do boo-boo things. You can have sex, carnage, mayhem, whatever you're looking for. "The Evil Dead" movies, in my opinion, function better in an unrestricted world.
If you want to boo, that's your right. Boo. Go ahead. Boo me all day long.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
People are willing to pay for the right to cheer or boo Roman Reigns. That is your job as a box office attraction. Your job and the manner in which you feed your family is not dependent upon whether the audience respects you or disrespects you. It's dependent on the audience's willingness to pay to see you.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Boo: "Go talk to her." Callum: "About what?" Boo: "Anything." Callum: "You want me to walk up to her and say, 'Are you a ghost?'" Boo: "I do that." Callum: "I love it when you get it wrong.
San Francisco has always been my favorite booing city. I don't mean the people boo louder or longer, but there is a very special intimacy. When they boo you, you know they mean you. Music, that's what it is to me. One time in Kezar Stadium they gave me a standing boo.
Always warm up the audience with a joke....If you are not a particularly funny person, make sure that you inform them that it's a joke.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
Feminists, I hasten to add, are not all bad. In fact, they are an ideal bellwether, an invaluable aid in helping me form opinions on issues that I don't have time to keep up with. If the feminists are for it, I'm against it; if the feminists are against it, I'm for it.
I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist.