I find that when people laugh really hard, it's usually because they're connecting and identifying in a way that they hadn't considered. That's my payoff.
"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting" ... "But that's not all people laugh at." "Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."
I make people laugh hard; I'm a comic, that's just the way it is. And I make them laugh because I'm funny, not because I'm filthy. The subject matter is dirty, but the pictures I paint are really funny. A lot of comics don't understand that that's what it's about. It's just, "I'll be dirty and they'll laugh." Nobody's becoming a superstar that way.
It is hard to keep a straight face during comedy scenes. It's considered really bad form to laugh at someone else because you can ruin their best take. But sometimes it's very hard not to.
I'm kind of a laugh junkie. It's what I appreciate in life, because life is rich and sometimes it's hard, and I really, really love to laugh and gravitate towards people who make me laugh.
It's hard for bands to stick it out because people grow up, and it never really pays off. If you're looking for some sort of payoff, it's not gonna happen
It's hard for bands to stick it out because people grow up, and it never really pays off. If you're looking for some sort of payoff, it's not gonna happen.
The only place where you can really surprise or shock the reader, or make someone laugh, is on the lower righthand corner - the very last panel - so as you turn the page, the payoff is in the upper lefthand panel. To pace every story so that there's a setup and a payoff at the page turn was a huge challenge; it's a part of the medium and you really have to learn what can be done in the medium.
It's much easier to cry or be angry, but to really laugh and genuinely be buoyant and laugh. That's hard if you don't really feel that way.
Dance is a way of connecting and finding a moment with someone. It really is something special and unique that you don't find in any other physical activity, you know? Because it's you with another person, and you guys dive in together with these characters. So dance, to me, has been really special to create amazing bonds with people.
I don't like the way people cherish the ghetto, as if it’s some royal palace, or kingdom. I also don't like the way people treat each other in the ghetto. It is really hard to find love, trust, and respect. You don't find too many people that want to do better for themselves in the ghetto because so many people seem to be satisfied with where they're at.
Lyrics are really, really hard, I think, or at least they're really hard for me. Some people can channel lyrics faster. I find them very hard to find, so because of it, they take me a long time, and I really think about them.
Filmmaking is hard. I mean, it's not that hard, but it is hard to find your way through a system because there's a lot of people, there's money, there's a big machine to kind of make it - and how to find methods and processes that allow it to continue to be a lively process and a creative process.
I have to laugh to myself. I don't find it work to write music, because I enjoy it. I'd find an evening of bridge hard work because you have to think like hell, and at the end, you get nothing for it.
It makes it really hard to just go to a dinner party because, in my work life, I'm surrounded by the funniest people, ever. I'm really spoiled. I laugh a lot, in my day.
People don't walk around thinking of themselves as bad people. You're part of the environment that you grow up in, and there can be decency in that. I always try to find a little glimmer of that, in anything that I do, because you can find places where there's humor or lightness in something that's deep and profound, and that tends to resonate more and make people more human. As an actor and performer, I think it resonates more with the audience when you do have the payoff.
I find it easier to cry than I do to laugh convincingly. It's incredibly hard to pull off a laugh that feels natural take after take after take, that feels real. You can tell a fake laugh the minute you hear it, and that's something I really struggle with more than producing tears.