A Quote by Louis C. K.

You know, the people who do indie film and decide who gets those little budgets? They're mean, man. They're cold and very cool-oriented. — © Louis C. K.
You know, the people who do indie film and decide who gets those little budgets? They're mean, man. They're cold and very cool-oriented.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
I didn't want the record to be cold and I don't think it's cold at all. I felt it was very people oriented.
When I went to Sundance back in 1998, indie film was all the rage, and Miramax was throwing down five or six million dollars for several films each year. Those were the salad days of indie film, and those days are over. I'm not out there worrying too much about it.
I mean every character you totally, you know, the full fiber of the personality is kept in the film, and all of those little moments, all those funny little tidbits are all in there.
You know, you grow up with the image of John Travolta being super cool - 'Saturday Night Fever,' Brian De Palma, handsome young god... he, in reality, is a very silly man. And I mean that in a good way. He'll walk around the set talking in little weird voices, making people laugh.
I said it's a cold universe and I don't mean that metaphorically. If you go out into space, it's cold. It's really cold and we don't know what's up there. We happen to be in this little pocket where there's a sun. What have we got except love and each other to guard against all that isolation and loneliness?
You were the one who gave me those boxers? I wondered where they came from, I wear those! Although I'm not a big fan of flannel, it gets a little hot down there, if you know what I mean.
I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
Are you cold when you are happy? Are you cold when you are unhappy? Then you are a wise man! Wisdom makes man cool and calm. Wise man is cool and calm!
Whenever it gets a little cold in L.A., it gives me an excuse to light my fireplace. You could stare at that joint for, like, a cool two hours. It's entrancing.
Being an indie queen, people think I have all these choices. Like I've just been sitting around waiting for the best indie film that I deem acceptable.
There's something different about an indie film than a TV show that has a huge infrastructure that's in place already for you - at least financially and in terms of distribution. Whereas an indie film is just a total dare.
I'm impatient. Typically people think they know all about change and don't need help. Their approach tends to be more management-oriented than leadership-oriented. It's very frustrating.
I think it's cool to play characters who are very joke-y and yet you can show a total serious, very somber side to them. You don't normally get that in a film - and in a [film] series especially. To be able to do that was really cool.
One indie film does well, for example a 'Bheja Fry,' that gets money for another 20 indie projects. But as soon as the first 8 projects release and flop, out of the 12 remaining ones, six will never take off, three will remain incomplete and the others will be shelved.
But if the cow is purple, you'd notice it, OK? The thing that's going to decide what gets talked about, what gets done, what gets changed, what gets purchased, what gets built is, is it remarkable? And remarkable's a really cool word 'cause we think it just means neat, but it also means worth making a remark about, and that is the essence of where idea diffusion is going.
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