A Quote by Louis C. K.
A lot of the struggle I had with movies is I really loved moments and tones and feelings in a scene, and I loved creating those, but I never really had great stories to string them together.
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I'd never studied film. I had movies that I loved and movie stars that I looked up to, but I really had not seen a lot of the great classic films that he felt like he wanted me to see before I took on such a huge role.
Alone because love was one of those feelings that you could never have control of. And she needed to be in control. She had loved before, had been loved, had tasted what it was to dream, and had felt what it was to dance on air. She had also learned what it was to cruelly land back on the earth with a thud.
I've loved some gadgets that were not worthy, and I've loved gadgets that I would have loved more if I had waited for their developers to figure out how to really make them work, but I loved them anyway.
If I was making the decision normally, with my heart, I'd never leave Celtic. My life was great. I loved the city. I loved the people. I loved the club. I had a wonderful life. If you think of all those things, you'd never move.
I think I was drawn to comedy originally because when I was really young, by the time I was eight I had seen movies like The Jerk, Animal House, and Planes, Trains & Automobiles with my dad, and I knew them by heart. I loved them and my dad loved them, and we would laugh together, and I would think, 'This is love.' I just wanted to make people feel like that.
He really loved baseball and loved being on the field. But Mantle was lonely in a lot of ways. He had many great friends, and by all accounts was a good, generous and loyal friend. But there were a lot of people who wanted only a piece of him.
I was really lucky for the friends that I had and loved every minute of it. I don't think I was a geek, but I loved the studies and we had a really good theater company at our school.
My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.
You know, 'Project Runway' was a really special show, and we had a great five seasons with it. We loved that show, and we loved the stories that it brought to Bravo and the creativity. And it was a magic five seasons.
He loved the extensive vaults where you could hear the night birds and the sea breeze; he loved the craggy ruins bound together by ivy, those dark halls, and any appearance of death and destruction. Having fallen so far from so high a position, he loved anything that had also fallen from a great height
I liked writing, and I loved movies, obsessively loved movies, but I had never made the leap of thinking I would actually come out here and write stuff.
I've loved vampires since I was a kid, or loved a lot of the vampire movies that I saw. Anything with sharp teeth, really. I remember you could get those fake vampire teeth, and I remember just keeping them in all the time.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative; I loved the writing. I loved the making of it. Because, I guess, I never had the giant blockbuster, I never got that sort of ease for the next one.
had two smaller scripts that I had written with full black casts. And people loved the scripts, but nobody would fund them. Those roles and stories are out there. But unless you have the money to finance movies on your own, you're beholden to others, and that is a very big limiting factor.
Then I kissed Max because I loved him, and everyone I had ever loved before had gone away and I had never kissed them goodbye
I loved working with Renoir on 'The Southerner.' Oh, I loved it! I particularly loved when he had a scene with a cow going through a garden, and he wanted a little dog to come and bark at it and chase it out.
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