A Quote by Louis C. K.
To me the goal of comedy is to just laugh, which is a really high hearted thing, visceral connection and reaction.
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When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
When you really boil it down, what comedy does is you expect one thing, and you get a totally different thing that's humorous, and we all laugh. That's generally how, just mechanically - super-distilled - comedy works.
I'm always very fearful when academics get ahold of comedy. Comedy is such a clear thing - people laugh, or they don't laugh. It's involuntary. I'm not saying it can't be scrutinized, it's just that they take the enjoyment out of it.
I love comedy. There's just something so great about making people laugh. And for me, too, whenever I laugh, it just makes me feel so much better just watching a great comedy.
Men feel challenged when a woman is in danger, so those types of stories interest women and they interest men on a level that the crimes against men tend to draw a different visceral reaction. Again, not saying it's right, but they tend to draw a different visceral reaction, which is that the man was out in the world doing men stuff and something happened to him.
I still think that, uh, the original draft from 'The Room' was brilliant in its own way. It made me laugh, which is - which is a good thing. It got a reaction.
I think it's a very easy thing to make people laugh, especially with a script, and then you've just got to dress up. That's also the idea of comedy in Bollywood. But in stand-up comedy, there's a man with just some content trying to make everyone laugh.
As an actor, when you're winning the moment over, there's a truth to your intention. You might laugh at it or you might cry at it, but I think your visceral reaction to it is a reaction to the truth of the moment.
I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up and stuff, but really, I was just more interested in the comedy of it all. So for me, it's always comedy, and then acting is just one medium of comedy.
Comedy is a serious business. It's frustrating when I can't find the right thing that makes the crew laugh. If I don't make them laugh, I get very disappointed in myself. You don't really have a live audience, so you just depend on the crew to let you know if you're doing something funny.
Lavatorial humour is just not my cup of tea. But, having said that, I'm really of the mind that comedy is so subjective and whatever makes you laugh makes you laugh. If it doesn't make you laugh, don't watch it.
Dark humor appealed to me because it was a bigger laugh than you could get with anything else. Seeing people laugh at something inappropriate with their whole bodies, a guttural, visceral laugh beyond a mere "hah."
The timing of comedy is so difficult. You've got to leave room for a laugh, you don't want to kill the laugh, but on film, you can't just suddenly stop for a laugh and then carry on. So, I think it's a real art form, comedy on film.
I've stopped doing things that aren't clear comedy gigs - to do something that's not "comedy night," it's a difficult thing. People have to be given permission to laugh. You need to know it's comedy; otherwise you might just think I'm a man talking out loud.
I think going public should not be a goal and the more that we make it a goal, the less it will be a goal. It's kind of like, I have three young children and when I tell them to eat vegetables, the last thing they will ever do is eat vegetables. I think it's just this weird thing where entrepreneurs have a reflexive negative reaction when people are pushing for it. I think you have to view going public for what it is, which is a transitional moment where you can consolidate mindshare and win at an even larger scale.
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