A Quote by Louis de Bernieres
Fascism is fundamentally and at bottom an aesthetic conception, and . . . it is your function as creators of beautiful things to portray with the greatest efficacy the sublime beauty and inevitable reality of the Fascist ideal.
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Beauty is the main positive form of the aesthetic assimilation of reality, in which aesthetic ideal finds it direct expression.
Against individualism, the Fascist conception is for the State... Liberalism denied the State in the interests of the particular individual; Fascism reaffirms the State as the true reality of the individual.
Mindfulness is paying attention to what is going on. Just look at beauty. Not just the beauty of things you see with your eyes, but beautiful feelings, beautiful awareness. There is no such thing as reality. Reality is what you make it.
The Fascist conception of the State is all-embracing; outside of it no human or spiritual values can exist, much less have value. Thus understood, Fascism is totalitarian, and the Fascist State -- a synthesis and a unit inclusive of all values -- interprets, develops, and potentiates the whole life of a people.
The keystone of the Fascist doctrine is its conception of the State, of its essence, its functions, and its aims. For Fascism the State is absolute, individuals and groups relative.
To know what Fascism really is we must first of all know what it is we are fighting, what the Fascist regimes really are and do, who puts up the money and backs Fascism in every country, and who owns the nations under such regimes, and why the natives of all Fascist countries must be driven into harder work, less money, reduced standards of living, poverty and desperation so that the men and corporations who found, subsidize and own Fascism can grow unbelievably rich.
And the greatest praise to India is this: not only are her people beautiful; not only are her daily life and cult beautiful; but, in the midst of the utilitarian, humanitarian, dogmatic world of the present day, she keeps on proclaiming the outstanding value of Beauty for the sake of Beauty, through her very conception of Godhead, of religion and of life.
It would seem that more than function itself, simplicity is the deciding factor in the aesthetic equation. One might call the process beauty through function and simplification.
Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all, you must not strip it of vitality.
There was a sort of irony in the fact that these [superhero] characters - many of whom in that period, the Golden Age, had been evolved to fight the Nazis - were themselves very much in the Nazi ideal. The idea that you can solve problems through physical strength, by being stronger and more dominant and more powerful - that is fascism. I mean, that's it, that's the essence of fascism. I don't think the creators of the superheroes or the kids who were reading them at the time were the slightest bit aware of it.
The greatest sin of the academic left is that it has become fundamentally aristocratic, writing in bizarre jargon that makes cliches seem abstruse. If you can't explain your ideal to a fairly intelligent 12-year-old, it's probably your own fault.
A man-made thing that produces pleasure (and criticism) by somehow taping into the order of the universe is beautiful. Making beautiful things makes our lives worthwhile. My teacher, and one of the founders of the Pratt industrial design program, Rowena Reed Kostellow, said, "Pure, unadulterated beauty should be the goal of civilization." From a pragmatic point of view, for something to be beautiful, it has to work. In order to make this idea clearer I have combined the ideas of beauty and function into one word: Beautility.
We are not beautiful because we fit the popular ideal of beauty, and we are not ugly or unattractive because we don’t measure up. Our beauty as human beings is not derived from ourselves. It comes from a beautiful God.
Nothing, indeed, is more dangerous to the young artist than any
conception of ideal beauty: he is constantly led by it either into
weak prettiness or lifeless abstraction: whereas to touch the
ideal at all you must not strip it of vitality. You must find it in life and re-create it in art.
It's so hard to give beauty a meaning. I actually find quite a lot of beauty in really painful things. Really grotesque things. Things that are disturbing. I think as you go and as you see things in the world, your idea of beauty expands and I think I'm lucky because I've been exposed to so many different types of beauty and I've realized that any feeling you cherish is beautiful.
I love Starship Troopers. That's really smart. I think he really could portray fascism in a comedic way. It's funny because both José [Padilha] and [Paul] Verhoeven were accused of being fascists for their movies because they had fascist leads. So, it's not going to have his tone, but there's going to be political satire in it.
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