Most chess books only sell a few thousand copies, and a book titled something like "Women in Chess" would sell even fewer. The idea with this title was to spread the book outside the competitive chess world. I'm interested in attracting readers who love chess but play only casually, and feminists interested in male-dominated fields.
Canada's known as a hockey country and now we've proven that we can also play football as well.
The British are actually a lot more appreciative of the comic. In Canada, if you're perceived as a comic writer, there's a real snobbery, and you can't be serious. You're not a big hitter.
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
Chess programs don't play chess the way humans play chess. We don't really know how humans play chess, but one of the things we do is spot some opportunity on the chess board toward a move to capture the opponent's queen.
A lot of the ways that I like to approach comic books, or anything like that, is not just the book itself, but the fans of it, the readers, the world that exists around it as a cultural object.
Playing rapid chess, one can lose the habit of concentrating for several hours in serious chess. That is why, if a player has big aims, he should limit his rapidplay in favour of serious chess.
The demographics of this country are changing. And the people coming to this country are soccer fans, not hockey fans.
Writers read essays and serious thinkers and serious readers... that is a small population.
In Canada, for boys, your identity is built on hockey. It's your social position; it's everything. And I was the worst hockey player of Canada.
Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone.
The comic book fans, especially 'X-Men' fans, are so serious about their comic book.
There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers.
If you've got comic book fans and soap fans and country fans, I think you've hit the whole world. What else is there?
I'm not ashamed of comic books. You have some people that are like, 'We're trying to elevate comic books.' Comic books have always told great dramatic stories.
Whatever solidarity I have established with other writers individually, it is usually organized around books. We connected as readers, as it were, not writers.