A Quote by Louis Garrel

I knew that the principle objective of my film was to be a sentimental or an emotional study. What I did was kind of like subterfuge. — © Louis Garrel
I knew that the principle objective of my film was to be a sentimental or an emotional study. What I did was kind of like subterfuge.
I kind of really study different angles of the film. You see how people's bodies are, how they react to certain kind of moves - what foot they step with, what hand they jab with, and all that. Just little things like that, that you pick up when you watch film. Studying is big for me.
It is better to be defeated standing for a high principle than to run by committing subterfuge.
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film.
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film
For me, I like to show what guys are like when no one is looking and how we really are, and that we can be emotional and have these emotional lives. I think it would be great to do a film where we see some females and what's going on there when we're not around.
New York is at once cosmopolitan and parochial, a compendium of sentimental certainties. It is in fact the most sentimental of the world's great cities - in its self-congratulation a kind of San Francisco of the East.
A scientific or technical study always consists of the following three steps: 1. One decides the objective. 2. One considers the method. 3. One evaluates the method in relation to the objective.
I did a fantastic emotional film, 'Autograph.' But the audiences rejected me in it. They like to see me laughing and fighting.
The first principle of ethical power is Purpose. By purpose, I don't mean your objective or intention-something toward which you are always striving. Purpose is something bigger. It is the picture you have of yourself-the kind of person you want to be or the kind of life you want to lead.
I did the Kannada film when just out of school. I didn't know anything about the South Indian film industry at that time, and I did the film to earn some pocket money. I realised then I like acting.
I shot film with the Coen brothers on 'Hail, Caesar!' That's fine. I'm sentimental about film; I've shot film for forty years or something.
I think the book is less emotional than the film. With the film, the emotions are much more raw and in front. In the book, they are kind of ironized and seen through comedy.
Even in the ambulance ride I was trying to say something, trying to say, like, 'I knew who did it, I knew what went on.' And then I think they were kind of thrown back by that. They were like, 'What? You know what went on? You know what happened?' And I was like, 'Yeah, I saw the guy.'
In the past, if you did film, you couldn't do stage, and if you did film, you certainly didn't do television. You had to pick what you wanted to be. Now it seems like we can bounce around, not only between genres, but between mediums, and I like that. I like change and I like a good story.
Once I did a film like 'Verna,' which was emotionally draining, I knew I needed to do something lighter and entertaining.
I'm a very sentimental, emotional person.
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