A Quote by Louis Gossett, Jr.
There's really nothing like a live audience right there. When you're in a bad show, you can hear the creaks in the chairs.
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I really don't have a relationship with LeBron. I like it. He ain't done nothing bad to me, I ain't done nothing bad to him. So, as long as we good, we'll be all right.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.
Once I'm performing the show, I think that hour show has a certain intimacy with our audience. And that intimacy is through the lens and the live audience is a witness to that, whereas the audience at home is actually the object of my efforts.
There's nothing worse than bad scatting, except maybe bad mouth trumpet. Mouth trumpet may sound like a trumpet, but it's really more like playing a kazoo. The instant you do your solo, the audience has a bit of a chuckle.
With a live audience, if you sing with the right feeling, the response you get is a high, an excitement. There's nothing in the studio that can give you anything quite like that.
I don't believe, in a show like ours, that you really want to see character growth. That's just my opinion. Maybe to a small degree, but nothing serious. To that end, it doesn't have the same importance that it would have, if you were on an hour-long show. I think an audience gets really hungry for a character to grow and change on an hour-long show, and I think I would be more antsy.
I would love to be on a really good show and share all the stuff that goes into creating a big TV show and get my audience into it. I think that makes it personal and makes the audience feel like they're a part of it.
There's one thing about TV that I really think is true. If you find the right cast and the right writers, and you got some chemistry going, even if a show is taking a little while to find an audience, if you keep it there, that audience will find it. Because that's what happened with 'Cheers.'
I get to hear the really good or the really bad things in the press, but I don't read it. I can afford to say that because public opinion does not drive U2's audience.
I really do think that Breaking Bad is probably the greatest television show that's ever been made. Just in terms of, everything, it's flawless. I can't think of one flaw with Breaking Bad. Every other show, even shows that I really, really love, they're not perfect. Breaking Bad, to me, is a perfect show.
A common mistake people make regarding dining rooms is to buy a matching set of table and chairs, which can be monotonous. I like to mix guest chairs in one style and head chairs in another for a more interesting, dynamic look.
I don't like bad mouthing towns and just thinking that I live in such a great place. I mean, I would hate to live in a small town and have a public persona say, "That town sucks." I would really not want to hear that.
One reason I do the live shows - and the monthly speeches at public radio stations - is to remind myself that people hear the show, that it has an audience, that it exists in the world. It's so easy to forget that.
I worked on 'USA Today' as a topic for while. I tried to do something on hand chairs, chairs that look like hands. I really tried. But some topics are not truly universal.
I worked on USA Today as a topic for while. I tried to do something on hand chairs, chairs that look like hands. I really tried. But some topics are not truly universal.
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