A Quote by Louis Gossett, Jr.

One of my best friends while shooting 'Roots' was Vic Morrow, the guy that whips Kunta. — © Louis Gossett, Jr.
One of my best friends while shooting 'Roots' was Vic Morrow, the guy that whips Kunta.
The two lines from 'Roots' that stick out to me are, 'You no more in Africa. You in America now,' and what I said after Kunta escaped: 'What is it like to be free, Kunta? It must be something.'
Vic nudged my elbow with his. "You and me are still friends, right? You guys get a joint custody in the divorce. Generous visitations rights." "Divorce?" Despite myself, I laughed. Only Vic could call the aftermath of a bad first date a divorce. We hadn't exactly been friends beforehand, so "still" was an exaggeration, but it would've been mean to point that out. Besides, I liked Vic. "We're still friends." "Excellent. The weirdos have to stick together around here." "Are you calling me a weirdo?" "Highest honor I can bestow.
When I was in school, my first acknowledgement of 'Roots' was Kunta Kinte.
To-morrow is that lamp upon the marsh, which a traveller never reacheth; To-morrow, the rainbow's cup, coveted prize of ignorance; To-morrow, the shifting anchorage, dangerous trust of manners; To-morrow, the wrecker's beacon, wily snare of the destroyer. Reconcile conviction with delay, and To-morrow is a fatal lie; Frighten resolutions into action, To-morrow is a wholesome truth.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
Rule number three: Best friends always think you deserve the best guy even if the best guy barely knows you exist.
For me, policy is best when connected to the roots, and roots are best when connected to policy. So I encourage you all to stay connected...and walk with real people while doing the activism. Lord knows we need folks who are engaged.
When Dawn looked at Vic, she saw Vic exactly as he wanted to be seen. Whereas Vic's parents couldn't help seeing who he used to be, and so many friends and strangers couldn't help seeing who he didn't want to be anymore, Dawn only saw him. Call it a blur if you want, but Dawn didn't see a blur. She saw a very distinct, very clear person.
When you're shooting a movie, it's two months of your life usually. You don't really have time to see anybody else. Your friends are put on hold while you're shooting, and what you have is the family that you create on set.
Trust on and think To-morrow will repay; To-morrow's falser than the former day; Lies worse; and while it says, we shall be blest With some new Joys, cuts off what we possest.
In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.
I wanted my friends in the video because to leave a hard place, you need the support of your loved ones. My friends have always done that for me. I had my best girlfriends there, my brother, my guy friends who are like brothers to me and my team who's had my back through my journey. My lead guy was a good friend of mine and a talented artist named Quincy. He's such a cool guy and I felt he would be perfect for the video along with a cameo from Don Benjamin.
I fractured my hand while shooting for 'Bullet Raja,' while we were shooting in Nashik.
I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
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