A Quote by Louis Gossett, Jr.

I can do more than anyone suspects. I pride myself on my versatility. It took 32 years of difficult parts, second leads, villains and juveniles. The Oscar changed the quality of the roles I was being offered.
I get offered varied parts, often super sexy roles. But I still think it's an issue to find the good scripts. It's a myth that you win an Oscar and you get more opportunities, and this doesn't just go for me.
A femtosecond is comparable to one second in 32 million years. It is like watching a 32-million-year movie to see one second.
I'm always glad to be offered roles, but wouldn't take any role as this could do you more harm than good, but I've been at what they call 'on the top' as far as being known for twenty years.
The first key to leadership was self-control, particularly the mastery of pride, which was something more difficult, he explained, to subdue than a wild lion and anger, which was more difficult to defeat than the greatest wrestler. He warned them that "if you can't swallow your pride, you can't lead.
I don't need the money after 11 years on 'Frasier,' and there aren't that many great roles onstage left for somebody my age. I'm more interested in playing those roles than I am in playing bit parts in movies.
The challenge is when you're offered similar roles, and you have to play them differently. I don't want people to say, 'She performs similarly in every film. There is no versatility.'
Sometimes the roles you're being offered, leads in films aren't good enough. Actually it's you're better going and doing a radio play or a decent TV.
The nature of the business is that, once you start proving yourself and the more roles you get, the more exciting the roles that you're able to go out and do auditions for, or that you're being offered, get. You have more choices.
Everyone says villains are thankless parts, but those are really the best roles.
We're in crisis mode as black actresses. It's not only in the sheer number of roles that are offered and that are out there, but the quality of the roles. The quality - and therein lies the problem. We're in deprivation mode because me, Alfre and Phylicia, we're in the same category. Whereas if you take a Caucasian actress, you have the one who are the teens, in their 20s, 30s, 40s, 50s - they're all different. There are roles for each of them. But you only have two or three categories for black actresses.
I take pride in never being rude to anyone on this earth, which contains a great number of unbearable villains who set upon you to recount their sufferings and even recite their poems.
I always tried to pride myself on my versatility - I can't just be the 'iSpy' guy.
In a union of equals, there can be no second-class consumers. I will not accept that in some parts of Europe, people are sold food of lower quality than in other countries, despite the packaging and branding being identical.
I generally play villains once every three or four years by choice because I get offered villainous roles a lot, because of the way I look and whatever. And I tend to avoid them because I think you can end up in a cul-de-sac of your own making if you're cast in that.
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There is more for women in terms of character roles now. Judi Dench and Maggie Smith have constantly changed over the years and challenged themselves with different roles. That's impressive.
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