A Quote by Louis Hofmann

People feel the need to compare because that's how they're going to put it in some box. We're always putting things in boxes to know what it is and how to describe it. — © Louis Hofmann
People feel the need to compare because that's how they're going to put it in some box. We're always putting things in boxes to know what it is and how to describe it.
Here's how the people live here, in big house-shaped boxes to keep off 'rain' and 'snow,' holes cut in the sides so they can see out. They move around in smaller boxes, painted different colours, with wheels on the corners. They need this box-culture because each person thinks of herself and himself as locked in a box called a 'body,' arms and legs, fingers to move pencils and tools, languages because they've forgotten how to communicate, eyes because they've forgotten how to see. Odd little planet. Wish you were here. Home soon.
At the end of their relationship she asked if they could still remain friends. His face stayed expressionless until he said "No. Because we put friends in boxes. You see them once in a while, or even a lot, but still they have their box in your life, their specific place. Their *category.* That's one of the great things about being someone's love-- you have no box in their life because you're part of all their boxes. You're their friend, their lover, their confidante-- all those things. I don't want to be put in one of your boxes and I don't want to shrink you to fit into one of mine.
They are born, put in a box; they go home to live in a box; they study by ticking boxes; they go to what is called "work" in a box, where they sit in their cubicle box; they drive to the grocery store in a box to buy food in a box; they talk about thinking "outside the box"; and when they die they are put in a box.
I have a hard time figuring out what kind of box to put me in, too, because I don't know exactly what's going on around me or why. But I need to stay outside of boxes because then I can look at what's inside of them without being part of them.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
Keep your dreams ALIVE. No matter how hard it gets, no matter how many people talk about you; they're going to throw dirt on you but that's alright, when they put you in that box (after your dead), they're going to put dirt on you some more, so that's okay - GO, don't be afraid, have NO FEAR.
Technology has changed, and we need to figure out how to improve the archaic way of what makes a hit, or how to determine how many viewers are watching beyond some people with Nielsen boxes in a small percentage of homes in random areas.
Even for the people in the business who are real music lovers it's really about putting things in the right boxes, and my style doesn't fit into a box.
Putting out a book is absolutely a lesson in vulnerability because it doesn't matter how much of an audience you have. Some people who have giant audiences can't sell books because those audiences don't feel like they need to give them their money.
I don't need anyone creatively to tell me how I'm supposed to be. Only I know the answer to that. Only I know what I would say. That's always been my outlook. I haven't really worried about rubbing people wrong because I only know how to be Bray. And Bray is always going to be Bray.
People like to put you a box. I've always been the wrong shape. Maybe you are, too. I think all the people who are wrong shapes for boxes should go out and march into the streets singing, 'We are the shapes! We don't fit the box.'
The two words that I've arrived at to describe what we all need to feel about ourselves, children and adults, in order to perceive ourselves accurately, are worthy and welcome. If you don't feel worthy and welcome, you really won't know what to do with yourself. You won't know how to behave in a world of other people. You won't think you deserve to get what you need.
You need a blueprint to build a house because you need to know how far the concrete is going to be poured and you need to know how think the walls have to be.
He made the boxes because he was lonely. He didn't have anyone to love, and he made the boxes so he could love them, and so people would know that he existed, and because birds are free and the boxes are hiding places for the birds so they will feel safe, and he wanted to be free and be safe. The boxes are for him so he can be a bird.
Awareness is the key to everything. I think it's important to be aware of how you feel. How do you feel after you exercise? How do you feel after you eat something? I try to be mindful of the food I'm putting in my body, the products I use, and what I put in or on my body.
There are people who put their dreams in a little box and say, 'Yes, I've got dreams, of course I've got dreams.' Then they put the box away and bring it out once in awhile to look in it, and yep, they're still there. These are great dreams, but they never even get out of the box. It takes an uncommon amount of guts to put your dreams on the line, to hold them up and say, 'How good or how bad am I?' That's where courage comes in.
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